Ultra Compact WST Line Source
- Ultra-compact and lightweight design for discrete integration
- Clarity, intelligibility and precision for vocals and lead instruments
- LA4 advanced system drive and protection
- Up to 15° inter-element vertical flexibility
- Entirely captive, near-invisible and fast rigging system
- Sonic compatibility with all other L-ACOUSTICS® systems
- KILO/SB18 LF extension for rock applications
- Available in white (RAL® 9010)
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KIVA - Modular WST Line Source KIVA features two 6.5’’ drivers in a bass-reflex tuned enclosure and a 1.5’’ diaphragm compression driver coupled to a DOSC® waveguide for HF reproduction. The passive crossover network uses 2nd order filters with built-in phase compensation.
The V-shaped coplanar transducer configuration generates a symmetric horizontal coverage of 100° without secondary lobes over the entire frequency range.
The combination of coplanar symmetry and DOSC® waveguide in the HF region allows the system to fulfill the 5 WST® criteria, thereby allowing the wavefront of a KIVA line source to be curved up to a maximum of 15˚ for each element without breaking the inter-element acoustic coupling. The captive 3-point rigging system is fully integrated into the KIVA cabinet allowing up to 20 elements (or 12 KIVA and 4 KILO) to be flown in accordance with the manufacturer’s recommendations. The KIVA cabinet is made of a unique composite material with remarkable acoustic properties (very similar to Baltic birch plywood) and with the added benefit of a high immunity to moisture. The KIVA enclosure is driven by the dedicated LA4 amplified controller. The performance of KIVA depends upon the choice of preset and physical system configuration. |
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L-ACOUSTICS® pioneered the field of modern line source array as early as 1993 with the introduction of Wavefront Sculpture Technology on the legendary V-DOSC® system. Based on physical rules developed by Heil and Urban (AES 1992) the WST® theory defines five criteria for design and use of true line source arrays. At the heart of Wavefront Sculpture Technology is the internationally-patented DOSC® waveguide, which morphs the spherical wavefront of the HF driver into a cylindrical, isophasic wave In combination with WST®, coplanar symmetry - the equivalent of coaxial assembly for HF, MF and LF drivers in vertical arrays - provides a coherent wavefront over the entire horizontal coverage at all frequencies. This behaves as if the sound was radiated by a single, continuous and articulated ribbon. |
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Any line source featuring L-ACOUSTICS® elements respects the coplanar symmetry and all WST® criteria on the entire sonic spectrum. This allows an exceptionally coherent sonic signature in very long throw applications, beyond the limits of other systems. L-ACOUSTICS® has been designing reference line array systems for more than 15 years. Modular line sources offer tremendous flexibility for installation and rental applications. Both KIVA and KARA®(i) systems are designed to combine a compact, high-performance and lightweight enclosure with a dedicated companion LF extension (KILO, SB18(i)) delivering the necessary LF resources when a reinforced contour is desired. |
| Usable bandwidth (-10dB) |
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| Nominal directivity (-6dB) |
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| Maximum SPL |
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| Long term RMS handling capacity |
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| Components |
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| Rigging |
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| Physical data |
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| Drawings | ![]() |
| KIVA |
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| KILO |
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| LA4 LA-NETWORK MANAGER |
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| KIBU |
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| KIET |
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| SOUNDVISION |
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| 12 KIVA FOH SYSTEM Download KIVA Kit List |
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| 18 KIVA FOH SYSTEM Download KIVA Kit List |
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| HELSINKI MUSIC HALL Helsinki - Finland |
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| DANMARKS RADIO CONCERT HALL Copenhagen – Denmark |
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| NAFIRI CONVENTION HALL Podomoro City - Indonesia |
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| REIGNWOOD THEATER Beijing - China |
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| ARIEL MULTIPURPOSE HALL Ariel - Israel |
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| CHONGQUING GRAND THEATRE Chongqing - China |
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| COLBURN SCHOOL's NEW THAYER HALL Los Angeles, CA - USA |
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| SALLE 3000 CONGRESS CENTRE Lyon - France |
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| THEATRE GEORGES-LEYGUES Villeneuve-Sur-Lot - France |
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| DOMINION CHURCH London - UK |
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| FRANCIS-PLANTE THEATRE Orthez - France |
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| THE OTTO SANTRAL CLUB Istambul - Turkey |
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| NATIONAL THEATRE Oslo - Norway |
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| VANTAA MARTINUS CONCERT HALL Vantaa - Finland |
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| RABO THEATRE Hengelo - The Netherlands |
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| CCIPF CONFERENCE (2007) Warsaw - Poland |
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| BEJART BALLET AT THE INTERNATIONAL IZMIR FESTIVAL (2007) Izmir - Turkey |
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| TELEVISION SHOW Paris - France |
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| WEST AUSTRALIAN SYMPHONY ORCHESTRA AT THE PERTH CONCERT HALL (2008) Perth - Australia |
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| NATIONAL TELEVISION AWARDS AT THE ROYAL ALBERT HALL (2008) London - UK |
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| PARTY 14th OF JULY (2009) Varsaw - Poland |
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| David Muehl Sound Designer Music Theatre of Wichita, KS - USA |
“My initial impression of the KIVA-KILO system was simply ‘wow’. I was extremely impressed, both with what I saw and heard. The arrays are small, compact, and lightweight enough to hang from the hall’s cantilevers as a single-point hang. One of my bosses commented on how sexy he thought these curvy cabinets looked, and it’s true that they are very visually appealing, but their audio far exceeds their visual appeal.” |
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| Ben Huey Shoreline Church Technical Director |
“Once the KIVA system had gone in, I kept thinking that I was hearing frequencies that we hadn't heard in a while. We’re now getting a much more accurate and honest representation of what the band is actually playing, which is awesome. It sounds amazing.” | ![]() |
| Jeffrey Rothfus Engineering Manager ABC Daytime |
“The tight pattern of our flown KIVA arrays allowed the sound designers to raise the sound level delivered to the audience without increasing bleed-through to the talent microphones.” | ![]() |
| Elit Emre Technical Manager Elit |
"After the demonstration, our client did not let us take the system back to our warehouse !". | ![]() |
| Bill Karaitiana Managing Director Con-Sol |
"Our client was over the moon". | ![]() |
| Andrew Taylor Audio Production Manager Stage Electrics |
"The whole package becomes an incredibly cost effective solution for small, medium and large shows". | ![]() |
| Pauli Molnár Director Starlike |
"The sound is now coherent and the coverage is even in all parts of the auditorium". | ![]() |
| Emre Defne Technical Director Elit |
"Its discretion and elegance was perfect for our classical event". | ![]() |
| Paul Van Baasbank Independant Sound Designer |
"The amplified sound of the KIVAs blended perfectly to produce this effect without the audience realising the concert was amplified". | ![]() |
| Stew Chaney Managing Director Plus 4 Audio |
"Covering the Albert Hall with two tiny arrays was unbelievable". | ![]() |
| PA-SYSTEM L-ACOUSTICS KIVA MIPA AWARD 2008 |
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