Active Stage Monitor
- High power and sonic performance, clarity and precision
- Exceptional rider friendliness
- Tight coverage pattern and exceptional immunity to feedback
- Dual wedge shape for short or long-throw floor monitoring
- Low cabinet profile for discrete TV stage presence
- Sturdy design and construction for extended longevity
- LA8 advanced system drive and protection
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115XT HiQ - Active Stage Monitor The XT coaxial range delivers a complete sound reinforcement solution to fulfill the highest demands of audio professionals for both the fixed installation and rental production markets. The XT series delivers the ultimate sonic performance in a compact and multi-purpose package. Setting up XT enclosures is quick and easy due to the unique integrated flying hardware system which ensures precision, safety and full compatibility with current rigging safety standards. Its compact and wedge-shaped format makes the XT range equally suited to sound reinforcement applications such as front of house, floor monitor and distributed systems. The XT range has been designed for use with the LA4 amplified controller (LA8 for 115XT HiQ). On board the LA4/LA8 a wide variety of presets are available across the entire XT range, providing the sound designer with total creative freedom for any conceivable application in theatres, clubs, concert halls, broadcast and multipurpose facilities. |
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L-ACOUSTICS® introduced the MTD115, the first coaxial loudspeaker for sound reinforcement, in 1989. Initially designed for multipurpose applications, the coaxial technology has demonstrated numerous advantages over classic two-way systems which typically suffer from interference around the crossover point resulting in lobing and uneven frequency and power response. The particular benefits of coaxial technology are related to the radiation characteristics of a point source. The natural studio monitor sound quality and the aural sensation of transparent sound typical of coaxial systems is adapted to proximity applications such as stage monitoring, front-fills, under-balcony fills and FOH live monitoring. The point source technology is also suited to distributed applications in semi-reverberant spaces where a single reflected source offers a more coherent radiation field with less reflected virtual sources than a dual acoustic source typical of horn-woofer combinations. All coaxial systems are available as plug and play solutions with built-in amplification and DSP (P series) or amplified controllers available with a complete set of dedicated preset libraries for FOH, fill and monitor modes. This integrated package offers the user a fast and easy set-up and |
| Usable bandwidth (-10dB) |
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| Nominal directivity (-6dB) |
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| Maximum SPL |
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| Long term RMS handling capacity |
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| Components |
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| Physical data |
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| Drawings | ![]() |
| 115XT HiQ |
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| 12XT |
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| 8XT |
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| ETR15, ETR12-2, ETR8-2 |
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| LA4/LA8 |
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| SOUNDVISION |
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| 115XT HiQ MONITOR SYSTEM Download 115XT HiQ Kit List |
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| 115XT HiQ MONITOR SYSTEM WITH LA-RAK Download 115XT HiQ Kit List |
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| MUELLER COLLEGE Redcliffe, Queensland - Australia |
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| JUPITERS THEATRE OF THE CONRAD JUPITERS Gold Coast - Australia |
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| FUJIAN BROADCASTING & TV CENTER China |
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| SALA SANTA CECILIA Rome - Italy |
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| MACAO CULTURAL CENTER Macao - China |
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| T IN THE PARK FESTIVAL (2007) Balado - Scotland |
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| PHIL COLLINS WORLDWIDE TOUR 2004 |
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| BARCARDI B-LIVE CONCERT (2009) Miami, FL - USA |
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| LIONEL RICHIE TOUR IN SOUTH AFRICA (2009) |
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| FESTIVAL MUSIC & ARTS (2009) San Francisco, CA - USA |
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| Kevin Mobberley Managing Director Studio Audio Services |
"Not only is it a great wedge monitor but it's also multi purpose so we can use it for corporate or small to medium-sized shows as a stand alone cabinet. Being able to fly the boxes with the quick release multiangle bracket or put them on poles gives us the ultimate versatility from what is a very cost effective product" | ![]() |
| Alain Schneebeli Director of HYPERSON and Stage Monitor Engineer for Phil Collins' First Final Farewell Tour 2004 |
"The 115XT HiQ is an excellent choice and we are very pleased with its high performance; as a drum monitor it works exceptionally well even without additional subwoofers" | ![]() |
| David Stern President PCS |
"Night after the night, the 115XT HiQs are performing very well for Alice and his band. In my opinion, there's not a better monitor built!" | ![]() |
| Andrea Taglia Sound Designer |
"I chose L-ACOUSTICS ARCS and 115XT HiQs for their tight and predictable pattern, which really helps to prevent any possible leak onto the hall’s extremely reflective surfaces" | ![]() |
| Cenk Yildiz Playback Music |
"Everyone was surprised by the high degree of flexibility of this loudspeaker as it also works very well in FOH configurations" |
| Danmarks Radio Concert Hall Orestaden - Denmark |
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| Mueller College Performing Arts Centre Redcliffe, Queensland - Australia |
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