Modular WST line source
- Compact and lightweight design, compliant with rigging and sightline constraints
- Extended LF resources for contour requirements from flat to medium
- Clarity, intelligibility and precision for vocal, speech and lead instruments
- 110° horizontal directivity for distributed applications, fills and central clusters
- LA-RAK (LA8) advanced system drive and protection
- State-of-the-art rigging system for high accuracy and quick set-up
- White and architectural RAL color program (KARAi)
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KARA(i) - Modular WST® Line Source |
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| Usable bandwidth (-10dB) |
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| Nominal Directivity (vertical line source) (-6dB) |
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| Maximum SPL |
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| RMS handling capacity |
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| Components |
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| Rigging |
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| Physical data |
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| Drawings | ![]() |
| KARA |
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| SB18 |
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| LA8/LA-RAK LA-NETWORK MANAGER |
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| M-BUMP/M-BAR |
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| KARA-MINIBU KARA-MINIBUEX |
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| M-JACK/KARA-ANGARMEX |
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| SOUNDVISION |
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WHISTLER OLYMPIC PLAZA (2011) |
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BEN L'ONCLE SOUL |
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WHEEL OF FORTUNE TV SHOW |
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ESCALE HALL |
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GOSPEL AND SOUL FESTIVAL |
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MRAZIK MUSICAL ON ICE |
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QUEBEC CITY SUMMER FESTIVAL |
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ROCKEFELLER CENTER CHRISTMAS TREE LIGHTING CEREMONY |
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| BEST PRODUCT AWARD FOR SMALL FORMAT LINE ARRAYS L-ACOUSTICS KARA LSI's READERS CHOICE AWARD 2011 |
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Steve Cross |
"Although our arena system is very similar to the one we took out two years ago, the use of KARA on this tour has been a big step up. When walking from the mix position to the front, the transition between our K1 mains and KARA downfills is so smooth that I can't definitively tell when I cross over; the two systems are a fantastic match. KARA's lighter weight, captive rigging, and smoother off-axis response are all great improvements as well." |
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Brad Clark |
“With our new L-ACOUSTICS system, we went from hearing multiple complaints about the sound at every event to hearing multiple compliments. Everyone has been absolutely thrilled with it; I’ve not heard a single complaint since it was installed.” |
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Gary Ford |
"On another occasion, the promoter looked at our rig hanging up in the 10,000-seat arena and asked, 'Are you sure this is going to do the job?' When we fired it up, he booked us for three more shows on the spot! Those are the kinds of reactions we're getting with this system, which is phenomenal for our business." | ![]() |
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Steve Minick
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"Since it went in, I haven't used any other rig in the room, and I don't intend to. The coverage is great, the clarity is phenomenal, and the power absolutely stomps! Our customers rave all the time about how they love what they're hearing, and I agree. This is one of the best sounding systems I've ever heard." | ![]() |
| Marius Lindas Project Manager Pro Systemer AS |
“For us as a rental company in an increasingly competitive industry, when choosing a new sound system, we understand the great benefit of choosing L-ACOUSTICS. With industry-leading products, we have a great advantage over our competition. The KARA/SB18 system was a perfect choice for us to meet most of our projects throughout the year. Based on the same user interface and amplified controller platform, engineers are provided the possibility to adapt to the venue with the potential to implement a number of configurations. This in turn will lead to increased efficiency and a more consistant result.” | ![]() |
| Flavio Senna Sound Engineer |
“I have spent all my career in recording studios mixing top Brazilian and international artists. For live sound it's pretty hard to find the same quality we have in studios due to the environment of the different venues. L-ACOUSTICS K1 and KARA are the systems that come closer to the sound we have in the studios, and make my mixing job much easy. The Loudness guys, Celson and Fernanda, did a great sound design and system calibration” | ![]() |































