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Modular WST line source
- Compact and lightweight design compliant with rigging and sightline constraints
- Extended LF resources to accommodate contour requirements from flat to reinforced
- Clarity, intelligibility and precision for vocal, speech and lead instruments
- 110° horizontal directivity for distributed applications, fills and central clusters
- LA-RAK (LA8) advanced system drive and protection
- State-of-the-art rigging system for high accuracy and quick set-up
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With a design inspired from the K1 stadium system, KARA delivers the highest performance level for the rental markets. The main system components consist of the following:
KARA delivers a considerable number of improvements over the previous generation of line sources, particularly with regard to directivity control in the horizontal plane, transducers resources for increased operating bandwidth and coherence, vertical coverage capability and extensive choice of operation modes to accommodate various LF contour requirements. With a fixed horizontal directivity of 110° and a vertical inter-element variation from 0˚ to 10°, KARA is fully configurable to match any audience geometry. Utilizing the unrivalled characteristics of WST® (Wavefront Sculpture Technology), KARA delivers clarity, precision, and a unique proximity effect offering the audience an incomparable listening experience. As a standalone system, its compact size and low weight complies with rigging and visual limitations. KARA can be deployed either as a compact distributed solution for delays and fills, a dedicated K1 downfill extension for stadium and arena concert applications or as a FOH system thanks to its full compatibility with the SB18 extension. All applications can be achieved with an extremely quick set-up. The LA-RAK touring rack and the LA8 amplified controller preset library deliver an extremely advanced and precise drive system for KARA. A wide range of system configurations are available for the sound designer and system engineer allowing high level of creative freedom. Additional features include an intelligent 2-way transducer protection L-DRIVE circuit (real time PEAK and RMS limiting) and a unique Array Morphing EQ interface allowing the engineer to quickly adjust the tonal balance of the system to reach a reference curve or ensure consistency of the system sonic signature with multiple arrays of differing size. A single LA8 can drive up to 6 KARA cabinets in a full range preset configuration for lead instruments, vocals and flat contour music material. Alternatively, KARA can be deployed as a 3 way system with a ratio of 1 SB18 to 3 KARA for flat LF contour, or 2 SB18 to 3 KARA for reinforced LF contour applications. KARA can be acoustically and mechanically modelled with the SOUNDVISION 3D simulation software. In addition, the LA NETWORK MANAGER software offers remote control and monitoring of amplified controllers via a user-friendly and intuitive graphic interface. The design of complex and sophisticated systems is made possible by the integration of an Ethernet-based network capability to up to 253 LA8 units. |
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| Usable bandwidth (-10dB) |
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| Nominal Directivity (vertical line source) (-6dB) |
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| Maximum SPL |
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| Long term RMS handling capacity |
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| Components |
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| Rigging |
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| Physical data |
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| Drawings | ![]() |
| KARA |
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| SB18 |
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| LA8/LA-RAK/LA-NETWORK MANAGER |
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| M-JACK |
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| M-BUMP/M-BAR |
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| KARA-DOWNK1 |
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| SOUNDVISION |
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| 12 KARA FOH SYSTEM FLAT CONTOUR Download KARA Kit List |
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| 12 KARA FOH SYSTEM REINFORCED CONTOUR Download KARA Kit List |
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| 18 KARA FOH SYSTEM FLAT CONTOUR Download KARA Kit List |
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| 24 KARA FOH SYSTEM FLAT CONTOUR Download KARA Kit List |
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| 24 KARA FOH SYSTEM REINFORCED CONTOUR Download KARA Kit List |
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