Modular WST line source
- Compact and lightweight design compliant with rigging and sightline constraints
- Extended LF resources to accommodate contour requirements
- Clarity, intelligibility and precision for vocal, speech and lead instruments
- 110° horizontal directivity for distributed applications, fills and central clusters
- LA-RAK (LA8) advanced system drive and protection
- State-of-the-art rigging system for high accuracy and quick set-up
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KARA - Modular WST® Line Source KARA features a 2-way, bi-amplified design and is equipped with 2 x 8” neodymium LF speakers in a bass-reflex tuned enclosure. The HF section features a 3” neodymium diaphragm driver coupled to a DOSC® waveguide. The K-shaped coplanar transducer configuration generates a symmetric horizontal coverage of 110° without secondary lobes over the entire frequency range. The combination of coplanar symmetry and DOSC® waveguide allows the system to fulfill the 5 WST® criteria. Any KARA line source can be curved up to a maximum of 10˚ for each element without breaking the inter-element acoustic coupling. The KARA enclosure is made of first grade Baltic birch plywood to ensure maximum acoustical and mechanical integrity. The 4 point rigging system allows suspending up to 24 KARA in a single array. The KARA system is driven by the dedicated LA8 amplified controller which ensures active system linearization, intelligent transducer protection, and optimization for 3 operating modes:
The performance of KARA depends upon the choice of electronic preset and physical system configuration. |
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L-ACOUSTICS® pioneered the field of modern line source array as early as 1993 with the introduction of Wavefront Sculpture Technology on the legendary V-DOSC® system. Based on physical rules developed by Heil and Urban (AES 1992) the WST® theory defines five criteria for design and use of true line source arrays. At the heart of Wavefront Sculpture Technology is the internationally-patented DOSC® waveguide, which morphs the spherical wavefront of the HF driver into a cylindrical, isophasic wave In combination with WST®, coplanar symmetry - the equivalent of coaxial assembly for HF, MF and LF drivers in vertical arrays - provides a coherent wavefront over the entire horizontal coverage at all frequencies. This behaves as if the sound was radiated by a single, continuous and articulated ribbon. |
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Any line source featuring L-ACOUSTICS® elements respects the coplanar symmetry and all WST® criteria on the entire sonic spectrum. This allows an exceptionally coherent sonic signature in very long throw applications, beyond the limits of other systems. L-ACOUSTICS® has been designing reference line array systems for more than 15 years. Modular line sources offer tremendous flexibility for installation and rental applications. Both KIVA and KARA®(i) systems are designed to combine a compact, high-performance and lightweight enclosure with a dedicated companion LF extension (KILO, SB18(i)) delivering the necessary LF resources when a reinforced contour is desired. |
| Usable bandwidth (-10dB) |
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| Nominal Directivity (vertical line source) (-6dB) |
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| Maximum SPL |
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| RMS handling capacity |
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| Components |
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| Rigging |
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| Physical data |
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| Drawings | ![]() |
| KARA |
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| SB18 |
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| LA8/LA-RAK LA-NETWORK MANAGER |
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| M-BUMP/M-BAR |
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| KARA-MINIBU KARA-MINIBUEX |
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| M-JACK/KARA-ANGARMEX |
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| SOUNDVISION |
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| 12 KARA FOH SYSTEM STANDARD Download KARA kit list |
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| 12 KARA FOH SYSTEM BOOSTED Download KARA kit list |
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| 18 KARA FOH SYSTEM STANDARD Download KARA kit list |
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| 24 KARA FOH SYSTEM BOOSTED Download KARA kit list |
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WHISTLER OLYMPIC PLAZA (2011) |
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BEN L'ONCLE SOUL |
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WHEEL OF FORTUNE TV SHOW |
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GOSPEL AND SOUL FESTIVAL |
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MRAZIK MUSICAL ON ICE |
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QUEBEC CITY SUMMER FESTIVAL |
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ROCKEFELLER CENTER CHRISTMAS TREE LIGHTING CEREMONY |
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| Marius Lindas Project Manager Pro Systemer AS |
“For us as a rental company in an increasingly competitive industry, when choosing a new sound system, we understand the great benefit of choosing L-ACOUSTICS. With industry-leading products, we have a great advantage over our competition. The KARA/SB18 system was a perfect choice for us to meet most of our projects throughout the year. Based on the same user interface and amplified controller platform, engineers are provided the possibility to adapt to the venue with the potential to implement a number of configurations. This in turn will lead to increased efficiency and a more consistant result.” | ![]() |
| Flavio Senna Sound Engineer |
“I have spent all my career in recording studios mixing top Brazilian and international artists. For live sound it's pretty hard to find the same quality we have in studios due to the environment of the different venues. L-ACOUSTICS K1 and KARA are the systems that come closer to the sound we have in the studios, and make my mixing job much easy. The Loudness guys, Celson and Fernanda, did a great sound design and system calibration” | ![]() |
| BEST PRODUCT AWARD FOR SMALL FORMAT LINE ARRAYS L-ACOUSTICS KARA LSI's READERS CHOICE AWARD 2011 |
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