{"id":508294,"date":"2024-11-18T10:52:16","date_gmt":"2024-11-18T09:52:16","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&p=508294"},"modified":"2025-02-07T10:21:07","modified_gmt":"2025-02-07T09:21:07","slug":"l-acoustics-l-isa-immersive-sound-technology-creates-a-sonic-sanctuary-at-inaugural-can-post-rock-festival-in-china","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/l-acoustics-l-isa-immersive-sound-technology-creates-a-sonic-sanctuary-at-inaugural-can-post-rock-festival-in-china\/","title":{"rendered":"L-Acoustics L-ISA Immersive Sound Technology Creates a Sonic Sanctuary\u00a0at Inaugural CAN Post-Rock Festival in China"},"content":{"rendered":"\n

Rightway Audio Consultants design and deploy L-ISA Immersive Hyperreal Sound for CAN Festival\u2019s international line-up of bands<\/em><\/p>\n\n\n\n

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CHINA, Zhejiang – November 2024 \u2013 <\/strong>The inaugural CAN post-rock music festival transformed the mountainous surroundings of Zhujiajian Island into a transcendent sonic experience. Over three days, 19 experimental post-rock bands from 11 countries converged amidst the breathtaking vistas of Daqingshan National Park in China’s Zhejiang province, with the dramatic coastline of the Zhoushan archipelago providing an ethereal backdrop. The festival attracted an international line-up of bands, including The Seven Mile Journey, a Danish band who hadn’t graced Chinese stages since 2016, Whale Fall and This Will Destroy You from the United States, Australia\u2019s We Lost the Sea, and World\u2019s End Girlfriend from Japan.<\/p>\n\n\n\n

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\"The
The breathtaking vista of Daqingshan National Park in China\u2019s Zhoushan archipelago was the backdrop for the CAN Festival, powered by L-ISA Immersive Hyperreal Sound<\/figcaption><\/figure>\n\n\n\n
\"L-ISA
L-ISA enhanced the festival\u2019s post-rock music performances through a live 360\u00b0 immersive audio experience for thousands of attendees<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Post-rock is a genre that eschews traditional song structures in favor of atmospheric, textural soundscapes. To fully immerse festival attendees in this unique sonic world, the organizers enlisted the help of L-Acoustics Certified Provider Rightway Audio Consultants (RAC) to design and deploy an L-ISA Immersive Hyperreal Sound system. “Our main goal in choosing L-ISA was to enhance the festival performances by displaying the genre’s sense of emotion and atmosphere through a live immersive audio experience,” says Huang Yadong, Chief Producer of the CAN Festival.<\/p>\n\n\n\n

A post-rock fan for over a decade, festival creator and founder, Can was impressed with L-ISA technology at festivals he attended in Europe and China. \u201cIt has been my dream to produce a post-rock festival in China,\u201d he says. \u201cThis year, when that dream came true, I was compelled to offer the same L-ISA experience that had left a lasting impression on me,\u201d he explains. <\/p>\n\n\n\n

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The L-ISA Scene System of five hangs of twelve L-Acoustics K2.<\/figcaption><\/figure>\n\n\n\n
\"Touring
Touring mix engineers created and immersive sound experience using L-ISA from L-Acoustics<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Sound System Designer of Can Festival and RAC’s Director of L-ISA Immersive Sound, Li Feng, worked closely with the festival team and visiting band engineers to create a 13.1 360\u00b0 L-ISA configuration. This included a Scene System of five hangs of twelve L-Acoustics K2<\/a> speakers, with an Extension system of two further hangs of 12 Kara<\/a> speakers. Front-fill was accomplished with 16 Kara boxes atop 32 KS28<\/a> subwoofers, ground-stacked in groups of eight. Nine Kara boxes placed around the audience area created a surround system.<\/p>\n\n\n\n

Despite challenging weather conditions during setup, the L-Acoustics K Series IP55 rating ensured the system remained reliable throughout the three-day event. Visiting engineers were able to seamlessly integrate their pre-mixed spatial audio files into the L-ISA workflow, creating an unforgettable listening experience for the thousands of attendees.<\/p>\n\n\n\n

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\"L-ISA
L-ISA extension system of two further hangs of 12 Kara speakers<\/figcaption><\/figure>\n\n\n\n
\"L-ISA
L-ISA surround system consisted of nine L-Acoustics Kara boxes per hang<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

\u201cInstruments with wider frequency range like the violin, or even electronic soundscapes, benefitted from object positioning. We could manipulate the mix not just on the frontal system but from the rear surround as well,\u201d says Wang Tiequn, Chief Sound Designer of the festival. \u201cIf you closed your eyes, it felt like you were right on the stage.\u201d<\/p>\n\n\n\n

RAC\u2019s first-time presentation of a post-rock festival in L-ISA proved to be a unforgettable experience for outdoor festival attendees, who made their appreciation known on local social media platforms. \u201cCAN Festival turned out to be a charming listening experience for festival-goers and an equally pleasant mixing experience for touring engineers, who easily adopted L-ISA technology’s streamlined and efficient processes. Some engineers happily remarked that ‘There’s no way back!\u2019 from the live immersive audio experience,\u201d concludes Li Feng of Rightway Audio Consultants.<\/p>\n\n\n\n

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\"The
The RAC team, from L-R: Li Feng, Director of L-ISA Immersive Sound & Sound System Designer of Can Festival; Wang Jianghua, Systems Engineer; Yu Tao, Senior System Engineer; Hao Fange, Project Engineer<\/figcaption><\/figure>\n\n\n\n
\"From
From left to right: Huang Yadong, Chief Producer of the CAN Festival; Wang Tiequn, Chief Sound Designer CAN Festival; Li Feng, Director of L-ISA Immersive Sound, RAC & Sound System Designer of Can Festival<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Learn more about Rightway Audio Consultants at www.racpro.net<\/a><\/p>\n\n\n\n

Press release assets are found by clicking here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rightway Audio Consultants design and deploy L-ISA Immersive Hyperreal Sound for CAN Festival\u2019s international line-up of bands CHINA, Zhejiang – November 2024 \u2013 The inaugural CAN post-rock music festival transformed the mountainous surroundings of Zhujiajian Island into a transcendent sonic experience. Over three days, 19 experimental post-rock bands from 11 countries converged amidst the breathtaking vistas of […]<\/p>\n","protected":false},"author":56,"featured_media":508298,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-508294","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nL-ISA Immersive Sound Technology at Inaugural CAN Festival - L-Acoustics<\/title>\n<meta name=\"description\" content=\"Rightway Audio Consultants design and deploy L-ISA Immersive Hyperreal Sound for CAN Festival\u2019s international line-up of bands\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.l-acoustics.com\/press-releases\/l-acoustics-l-isa-immersive-sound-technology-creates-a-sonic-sanctuary-at-inaugural-can-post-rock-festival-in-china\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L-ISA Immersive Sound Technology at Inaugural CAN Festival - 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