{"id":35398,"date":"2023-06-22T12:47:54","date_gmt":"2023-06-22T10:47:54","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&#038;p=35398"},"modified":"2023-06-22T20:56:47","modified_gmt":"2023-06-22T18:56:47","slug":"l-isa-spatial-audio-immerses-audiences-in-vibrant-saudi-heritage-for-terhal-dragones-newest-spectacular","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/l-isa-spatial-audio-immerses-audiences-in-vibrant-saudi-heritage-for-terhal-dragones-newest-spectacular\/","title":{"rendered":"L-ISA Spatial Audio Immerses Audiences in Vibrant Saudi Heritage for Terhal, Dragone\u2019s Newest Spectacular"},"content":{"rendered":"\n<p class=\"has-text-align-left\"><strong>DIRIYAH, Saudi Arabia &#8211; June 2023 <\/strong>&#8211; Terhal, the most recent creation by Dragone, is an original, immersive theatrical show that celebrates the rich culture of Saudi Arabia. This spectacle honors the country\u2019s vibrant culture, exploring the vital role of the Kingdom of Saudi Arabia&#8217;s people and heritage in shaping the future. Terhal features acrobatics, stunts, aerial performance, and dazzling special effects alongside traditional Saudi art and dance. To accompany and enhance this awe-inspiring production, Dragone chose L-ISA Immersive Hyperreal Sound technology by L-Acoustics to create an immersive sound experience to complement the enchanting visuals.<\/p>\n\n\n\n<p class=\"has-text-align-left\">While the show run is temporary, to ensure that each performance is memorable, the venue housing the show is purpose-built, designed explicitly for Terhal. Delivering the large-scale production in the new venue within the allotted time frame created a great challenge for the sound team, which included Sebastian Hammond, Sound Designer, L-ISA Engineer Adriaan van der Walt, and Mix Engineer Andy Tsang.\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-left\">Having crafted immersive sound experiences with L-ISA spatial audio for high-profile projects like the opening and closing Ceremonies of Expo 2020 Dubai and Dragone\u2019s La Perle, Hammond explains that Dragone shows are known for pushing the limits of audience experiences.&nbsp;&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"584\" data-id=\"35408\" src=\"\/wp-content\/uploads\/2023\/06\/la-terhal-01-1024x584.jpg\" alt=\"\" class=\"wp-image-35408\" srcset=\"\/wp-content\/uploads\/2023\/06\/la-terhal-01-1024x584.jpg 1024w, \/wp-content\/uploads\/2023\/06\/la-terhal-01-300x171.jpg 300w, \/wp-content\/uploads\/2023\/06\/la-terhal-01-768x438.jpg 768w, \/wp-content\/uploads\/2023\/06\/la-terhal-01-1536x876.jpg 1536w, \/wp-content\/uploads\/2023\/06\/la-terhal-01-2048x1167.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L-Acoustics K2, Kara II, and Kiva I deliver an unparalleled immersive audio experience for Terhal<\/figcaption><\/figure><\/div><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"589\" data-id=\"35418\" src=\"\/wp-content\/uploads\/2023\/06\/la-terhal-02-1024x589.jpg\" alt=\"\" class=\"wp-image-35418\" srcset=\"\/wp-content\/uploads\/2023\/06\/la-terhal-02-1024x589.jpg 1024w, \/wp-content\/uploads\/2023\/06\/la-terhal-02-300x173.jpg 300w, \/wp-content\/uploads\/2023\/06\/la-terhal-02-768x442.jpg 768w, \/wp-content\/uploads\/2023\/06\/la-terhal-02-1536x883.jpg 1536w, \/wp-content\/uploads\/2023\/06\/la-terhal-02-2048x1178.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L Acoustics K Series Loudspeaker during Terhal, the last immersive show signed by Dragone<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" data-id=\"35406\" src=\"\/wp-content\/uploads\/2023\/06\/la-terhal-03-1024x682.jpg\" alt=\"\" class=\"wp-image-35406\" srcset=\"\/wp-content\/uploads\/2023\/06\/la-terhal-03-1024x682.jpg 1024w, \/wp-content\/uploads\/2023\/06\/la-terhal-03-300x200.jpg 300w, \/wp-content\/uploads\/2023\/06\/la-terhal-03-768x511.jpg 768w, \/wp-content\/uploads\/2023\/06\/la-terhal-03-1536x1022.jpg 1536w, \/wp-content\/uploads\/2023\/06\/la-terhal-03.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L-Acoustics L-ISA technology: A console&#8217;s-eye view of immersive audio experience during Terhal<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-left\">\u201cAlthough this was a temporary show, I wanted to deliver the complete residential theatre experience for the audience via the immersive sound design\u2019s detail and live sound technology.\u201d Maximizing the design possibilities of the performance space during the initial design and collaboration was crucial. Hammond continues, \u201cL-Acoustics\u00a0 and L-ISA\u00a0 were part of my plan from the beginning, providing the tools I needed to immerse the audience in the performance and deliver exceptional clarity, depth, and dynamics.\u201d\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-left\">Hammond knew that the show would undergo numerous iterations during the pre-production and creative process. Therefore, it required a sound design that could easily adapt. &#8220;My mission again was to create the best design possible for the venue and performance space. Knowing the type of productions Dragone delivers and building on my experience\u2014I had to ensure the design is as flexible as possible both technically and creatively,&#8221; he explains.<\/p>\n\n\n\n<p class=\"has-text-align-left\">\u201cWhen I shared my sound design for Terhal, the team at L-Acoustics asked if we\u2019d like to trial the upcoming\u00a0 L-ISA 3.0. I said yes because the new release gave us remarkably updated features, such as the FX Engine, which enables reactive movements and trajectories, and customizable controls for organic interactions between objects. The FX Engine can create dynamic soundscapes that move with the action on stage, creating an atmosphere of suspense and excitement to keep audiences on the edge of their seats. Additionally, it adds subtle details and spatial effects that help bring the world of Dragone&#8217;s immersive shows to life. These enhancements significantly improve the immersive audio experience at Terhal, allowing us to elevate the creative concept even further,&#8221; continues Hammond.\u00a0<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"\/wp-content\/uploads\/2023\/06\/la-terhal-04-1024x768.jpg\" alt=\"\" class=\"wp-image-35416\" srcset=\"\/wp-content\/uploads\/2023\/06\/la-terhal-04-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/06\/la-terhal-04-300x225.jpg 300w, \/wp-content\/uploads\/2023\/06\/la-terhal-04-768x576.jpg 768w, \/wp-content\/uploads\/2023\/06\/la-terhal-04-1536x1152.jpg 1536w, \/wp-content\/uploads\/2023\/06\/la-terhal-04-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The central stage K2 L-Acoustics set up made of a combination of Kara II, and Kiva II.<\/figcaption><\/figure><\/div>\n\n\n<p class=\"has-text-align-left\">L-ISA Engineer Adriaan Van Der Walt concurs: \u201cThe one thing that stood out for me was how well the room engine transformed the sonic landscape beyond the venue&#8217;s actual acoustics. It brought another dimension into the mix, creating so much more depth &#8211; which, with the help of the new FX Engine, could be automated to follow trajectories. Each object would then follow its path, as programmed from scene to scene,\u201d he says. \u201cAndy Tsang and I quickly established a workflow between the Quantum 7 and L-ISA, which streamlined the programming of this complex show. The DeskLink feature, which enables L-ISA control on the DiGiCo, helped us identify objects or groups which we wanted to map around the audience. Once placed in the correct space, Andy could then easily adjust the depth of each object, which in turn would push it into the Room Engine &#8211; either to blend in or be used to great effect.\u201d<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-left\">As the venue itself was still under construction, the sound team had the opportunity to set up the main central truss system in a production facility in Dubai. This allowed the team to address rigging and cabling logistics beforehand, ensuring their time in Riyadh was as efficient as possible.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">Weight restrictions were an important consideration, leading Hammond to choose a combination of L-Acoustics K2, Kara II, and Kiva II. The main system, which needed to cover an audience area that extended almost 360\u00b0 around the central performance area, was provided by ten main arrays of Kiva II, complemented by two arrays of K2 and four arrays of Kara II.&nbsp; 28 KS28 supplied low-end extension and extra power for sound effects. Eighteen 5XT placed around the stage-lip provided spatial front-fill while twenty Syva were placed around the walls for surround. The system was provided and installed by local L-Acoustics Certified Partner Clair Global. \u201cWe all worked together to bring this project to life, and it was crucial to have the support of a reliable and experienced team,\u201d explains Hammond. &#8220;We were very fortunate to have Clair Global handling the delivery and operations of the immersive sound and communications design.\u201d<\/p>\n\n\n\n<p class=\"has-text-align-left\">\u201cOne of the most impactful moments of Terhal is a massive and intense sandstorm scene, which was a sensory overload in all the right ways,\u201d recalls Hammond. \u201cMusic, sound effects, lights, and video all coming together created an impactful, unforgettable moment, and having&nbsp; &nbsp; &nbsp; L-ISA helped us raise the bar. This was a thrilling deployment of L-ISA technology, which gave us numerous imaging possibilities.&#8221;&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">Hammond further describes how he used L-ISA to make the show more impactful, \u201cI focused on creating a spatial experience that incorporates both sound effects and musical elements. The team and I were able to fully utilize the room engine, imaging, and movement capabilities of L-ISA 3.0 within the surround system.\u201d\u00a0<\/p>\n\n\n\n<p class=\"has-text-align-left\">Dragone consistently pushes technological boundaries, and Terhal is no exception. The entire creative team united to craft unforgettable scenes. Hammond feels that having L-ISA technology was crucial in bringing the immersive experience to life. \u201cI am very proud of this sound design. The dynamic fusion of the system&#8217;s adaptability, coupled with the innovative application of sound, lighting, and video, perfectly captured the exhilaration of the story, resulting in a profoundly impactful and immersive performance. The final result was a transformative and breath-taking experience that is a testament to the creative potential of collaborations between pioneers in their respective fields.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"35435\" src=\"\/wp-content\/uploads\/2023\/06\/Terha-stage-six-1024x768.jpg\" alt=\"\" class=\"wp-image-35435\" srcset=\"\/wp-content\/uploads\/2023\/06\/Terha-stage-six-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/06\/Terha-stage-six-300x225.jpg 300w, \/wp-content\/uploads\/2023\/06\/Terha-stage-six-768x576.jpg 768w, \/wp-content\/uploads\/2023\/06\/Terha-stage-six.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Central stage view featuring L-Acoustics K2 sound system overhead from the perspective of the audience seating area.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"35433\" src=\"\/wp-content\/uploads\/2023\/06\/Terhal-stage-five-1024x768.jpg\" alt=\"\" class=\"wp-image-35433\" srcset=\"\/wp-content\/uploads\/2023\/06\/Terhal-stage-five-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/06\/Terhal-stage-five-300x225.jpg 300w, \/wp-content\/uploads\/2023\/06\/Terhal-stage-five-768x576.jpg 768w, \/wp-content\/uploads\/2023\/06\/Terhal-stage-five.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Theatre view of the L-Acoustics sound system from the perspective of the audience seating area.<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>L-Acoustics K2, Kara II, and Kiva come together for an L-ISA spatial audio, immersive experience in Terhal, Dragone\u2019s new spectacular.<\/p>\n","protected":false},"author":56,"featured_media":35408,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-35398","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - 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