{"id":318347,"date":"2024-07-11T16:59:17","date_gmt":"2024-07-11T14:59:17","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&#038;p=318347"},"modified":"2025-05-07T15:04:06","modified_gmt":"2025-05-07T13:04:06","slug":"bad-bunny-wraps-most-wanted-tour-with-historic-three-night-run-in-puerto-rico-and-l-acoustics-assures-nearly-60000-fans-heard-every-note-beat-and-word","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/bad-bunny-wraps-most-wanted-tour-with-historic-three-night-run-in-puerto-rico-and-l-acoustics-assures-nearly-60000-fans-heard-every-note-beat-and-word\/","title":{"rendered":"Bad Bunny Wraps Most Wanted Tour with Historic Three-Night Run in Puerto Rico, and L-Acoustics Assures Nearly 60,000 Fans Heard Every Note, Beat, and Word"},"content":{"rendered":"\n<p><em>Huge K2 and Kara II concert sound system featuring 48 KS28 subs welcomes home the three-time Grammy Award and four-time Latin Grammy Award winner with big sound<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>SAN JUAN, Puerto Rico \u2013 July 2024 \u2013<\/strong>&nbsp;As Puerto Rico\u2019s biggest export neared the end of his electrifying Most Wanted Tour in June,&nbsp;<em>Billboard<\/em>&nbsp;made a powerful assertion: \u201cIf you\u2019ve seen Bad Bunny perform, but you haven\u2019t seen him in Puerto Rico, then you haven\u2019t really seen him at all.\u201d It\u2019s where, as&nbsp;<em>Rolling Stone<\/em>&nbsp;puts it, \u201cThe shows are longer, the guests are cooler, his monologues are more colorful, and his enthusiasm is through the roof.\u201d<\/p>\n\n\n\n<p>The tour, a staggering $208 million juggernaut, culminated at San Juan\u2019s Jos\u00e9 Miguel Agrelot Coliseum\u2014\u201cEl Choliseo\u201d\u2014in the \u201cSoy Peor\u201d singer\u2019s homeland. Over three nights, Bad Bunny treated fans to special surprises, including guest appearances by Puerto Rican favorites like Bryant Myers, and Luar La L, alongside Colombian reggaeton star Feid. El Choliseo, where Bad Bunny has shattered attendance records, saw its 18,500 seats filled to capacity each night. But if the big names were the star performers, the foundation of the shows was the big sound delivered by an L-Acoustics K2 concert sound system supplied by Ponce-based Certified Provider Wichie Sound Performance, Inc.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"318348\" src=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-1-1024x683.jpg\" alt=\"Wichie Sound Performance supplied an L-Acoustics concert sound system for Bad Bunny\u2019s recent sold-out shows in Puerto Rico\" class=\"wp-image-318348\" srcset=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-1-1024x683.jpg 1024w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-1-300x200.jpg 300w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-1-768x512.jpg 768w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Wichie Sound Performance supplied an L-Acoustics concert sound system for Bad Bunny\u2019s recent sold-out shows in Puerto Rico<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Jorge Alberto Frontera Rodriguez, audio engineer with Wichie Sound, highlights the unique challenges of Bad Bunny\u2019s San Juan shows, which used a 360-degree seating configuration. \u201cThese performances are completely different from typical events in this venue,\u201d he explains. \u201cCreating the perfect system for Bad Bunny is always a challenge, but L-Acoustics K2 provided the ideal solution.\u201d<\/p>\n\n\n\n<p>Before the actual setup, Frontera and his team relied heavily on L-Acoustics Soundvision software. \u201cIt allows us to visualize sound coverage and gives us a clear picture before we even place the first speaker in the venue,\u201d Frontera notes. This preparatory step was crucial given the unique demands of the performance space.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"708\" data-id=\"318350\" src=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-2-1024x708.jpg\" alt=\"Bad Bunny performing on one of the two stages, flanked by left and right stacks of three Kara II enclosures\" class=\"wp-image-318350\" srcset=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-2-1024x708.jpg 1024w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-2-300x208.jpg 300w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-2-768x531.jpg 768w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-2.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Bad Bunny performing on one of the two stages, flanked by left and right stacks of three Kara II enclosures<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The system design was as ambitious as Bad Bunny himself. \u201cThe position of the stages and the size of the entire setup was bigger than normal, basically covering the arena from one end to the other,\u201d Frontera explains. \u201cSo, the arrays and the distance between them were both higher than usual, prompting us to use ten hangs instead of the eight we normally deploy for shows in the round.\u201d<\/p>\n\n\n\n<p>The final design comprised eight arrays of ten <a href=\"https:\/\/www.l-acoustics.com\/products\/k2\/\" target=\"_blank\" rel=\"noreferrer noopener\">K2<\/a> over six <a href=\"https:\/\/www.l-acoustics.com\/products\/kara-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kara II<\/a>, two more of eight K2 over six Kara II, and six hangs of eight <a href=\"https:\/\/www.l-acoustics.com\/products\/ks28\/\" target=\"_blank\" rel=\"noreferrer noopener\">KS28 subs<\/a>. On the floor, there were 20 <a href=\"https:\/\/www.l-acoustics.com\/products\/x15\/\" target=\"_blank\" rel=\"noreferrer noopener\">X15<\/a> speakers for front-fill and 12 Kara II distributed in four stacks of three on top of each of the two stages at the north and south ends.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"318352\" src=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-3-1024x683.jpg\" alt=\"The \u201cSoy Peor\u201d singer packed \u201cEl Choliseo\u201d for three nights in a row, performing to 18,500 fans each night in the round\" class=\"wp-image-318352\" srcset=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-3-1024x683.jpg 1024w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-3-300x200.jpg 300w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-3-768x512.jpg 768w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-3.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The \u201cSoy Peor\u201d singer packed \u201cEl Choliseo\u201d for three nights in a row, performing to 18,500 fans each night in the round<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Frontera praises the flexibility of K2 and Kara II, particularly their Panflex technology. \u201cThe ability to change dispersion between 70, 90, and 110 degrees makes these systems perfect for 360-degree shows, where venue-wide coverage is crucial,\u201d he says.<\/p>\n\n\n\n<p>The setup of the front-fills was also unique due to the shape of the two stages. \u201cWe had to ensure coverage of the entire audience area in the center between the stages and under the runway that descended during the show. That\u2019s where the X15 and Kara II gave us a lot of headroom,\u201d he adds.<\/p>\n\n\n\n<p>The system was powered by a combination of 48 <a href=\"https:\/\/www.l-acoustics.com\/products\/la12x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA12X<\/a> and 30 <a href=\"https:\/\/www.l-acoustics.com\/products\/la8\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA8<\/a> amplified controllers, with those used for the flown system located on the catwalk. All systems were driven via AES, with an analog backup.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"318354\" src=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-4-1024x683.jpg\" alt=\"The show\u2019s 360-degree PA featured eight arrays of ten L-Acoustics K2 over six Kara II, two more of eight K2 over six Kara II, and six hangs of eight KS28 subs\" class=\"wp-image-318354\" srcset=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-4-1024x683.jpg 1024w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-4-300x200.jpg 300w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-4-768x512.jpg 768w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-4.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The show\u2019s 360-degree PA featured eight arrays of ten L-Acoustics K2 over six Kara II, two more of eight K2 over six Kara II, and six hangs of eight KS28 subs<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>\u201cFor every challenge on this show, L-Acoustics gave us a solution,\u201d he says. \u201cAnd for a show like this, where the bass is hugely important, the low end that the 48 KS28 provided was impressive. We were really happy with the results.\u201d<\/p>\n\n\n\n<p>\u201cThe entire production was huge and complex,\u201d sums up Frontera, who worked with colleagues Peewee Vel\u00e1zquez, Bad Bunny\u2019s FOH engineer, Clair Global system engineer Carlos Martinez, also from Puerto Rico, 24B ProAudio\u2019s Gabriel Cruz, Wichie Sound system engineer Luis \u201cChoco\u201d Lopez, PA tech Israel Delgado, and fellow system designer Eduardo Martinez. \u201cIt was an amazing run of shows from an amazing artist in a venue he was familiar and very comfortable with. K2 and Kara II made it absolutely perfect, and Peewee told us that the concerts all sounded \u2018clear, big, and great, like Bad Bunny concerts should be!\u2019\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"318356\" src=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-5-1024x768.jpg\" alt=\"Bad Bunny FOH Engineer Peewee Vel\u00e1zquez manning the mix\" class=\"wp-image-318356\" srcset=\"\/wp-content\/uploads\/2024\/07\/la-bad-bunny-5-1024x768.jpg 1024w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-5-300x225.jpg 300w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-5-768x576.jpg 768w, \/wp-content\/uploads\/2024\/07\/la-bad-bunny-5.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Bad Bunny FOH Engineer Peewee Vel\u00e1zquez manning the mix<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>For more information on Bad Bunny, visit\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.instagram.com%2Fbadbunnypr&amp;data=05%7C02%7Ccamille.palmich%40l-acoustics.com%7C7f1b7d43ceee4764e19b08dca0ecdfe8%7C68e431e8d632483eae79f28a7b4c69e6%7C0%7C0%7C638562188781265004%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=A1pEUyygB9qYTc130ArjZ28Si9fl4EkJQzYxqmhXU%2Bs%3D&amp;reserved=0\">www.instagram.<\/a><a href=\"http:\/\/www.instagram.com\/badbunnypr\" target=\"_blank\" rel=\"noreferrer noopener\">com\/badbunnypr<\/a>. Wichie Sound Performance can be found online at\u00a0<a href=\"https:\/\/eur01.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.wichiesound.com%2F&amp;data=05%7C02%7Ccamille.palmich%40l-acoustics.com%7C7f1b7d43ceee4764e19b08dca0ecdfe8%7C68e431e8d632483eae79f28a7b4c69e6%7C0%7C0%7C638562188781280679%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=3KpEC7YdoqcjObBWYLJEgKJ%2BQtyink5HRiV6g93FirY%3D&amp;reserved=0\">www.wichiesound.<\/a><a href=\"http:\/\/www.wichiesound.com\" target=\"_blank\" rel=\"noreferrer noopener\">com<\/a>.<\/p>\n\n\n\n<p>Press release assets are found by\u00a0<a href=\"https:\/\/medialibrary.l-acoustics.com\/baN4Cp88H\" target=\"_blank\" rel=\"noreferrer noopener\">clicking here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Huge K2 and Kara II concert sound system featuring 48 KS28 subs welcomes home the three-time Grammy Award and four-time Latin Grammy Award winner with big sound SAN JUAN, Puerto Rico \u2013 July 2024 \u2013&nbsp;As Puerto Rico\u2019s biggest export neared the end of his electrifying Most Wanted Tour in June,&nbsp;Billboard&nbsp;made a powerful assertion: \u201cIf you\u2019ve [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":318350,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-318347","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - 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