{"id":28824,"date":"2023-02-18T22:32:27","date_gmt":"2023-02-18T21:32:27","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&#038;p=28824"},"modified":"2023-07-07T17:50:24","modified_gmt":"2023-07-07T15:50:24","slug":"jakartas-graha-bakti-budaya-theatre-revitalised-with-l-acoustics-l-isa-immersive-hyperreal-sound","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/jakartas-graha-bakti-budaya-theatre-revitalised-with-l-acoustics-l-isa-immersive-hyperreal-sound\/","title":{"rendered":"Jakarta\u2019s Graha Bakti Budaya Theatre Revitalized with L-Acoustics L-ISA Immersive Hyperreal Sound"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><em>PT Gracia Auvindo design and install an A Series-based L-ISA configuration for the largest theatre hall in the Taman Ismail Marzuki cultural arts complex<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Jakarta, Indonesia &#8211; February 2023 \u2013<\/strong> The Taman Ismail Marzuki (TIM) arts and cultural hub in Cikini, Central Jakarta, was inaugurated in 1968. &nbsp;Named after a nationally renowned music composer, the hub is managed by the Jakarta Arts Council. The TIM complex began with a lone 90-meter-square building and now occupies a sprawling nine-hectare park ground that includes the Jakarta Public Library and the Jakarta Arts Institute, which also contains a planetarium, an open-air auditorium, art galleries, community spaces, and performance theatre halls of which the 954-seat Graha Bakti Budaya theatre is the largest space. The stately venue hosts performances weekly, from original Indonesian artistic performances to concerts, dramas, traditional and contemporary dance, and film screenings.<\/p>\n\n\n\n<p>TIM and the Graha Bakti Budaya Theatre recently finished a US$125 million revitalization program, including an L-ISA Immersive Hyperreal Sound upgrade, making it the first-ever venue in Southeast Asia to be installed with the technology.<\/p>\n\n\n\n<p>Local L-Acoustics Certified Distributor PT Gracia Auvindo joined a bid for the project tender with a system design modeled in L-Acoustics Soundvision software. Based on the compact, powerful A Series line source, the design won the approval of the theatre\u2019s management team for its coherent coverage and its ability to blend into the architecture without obstructing sightlines.<\/p>\n\n\n\n<p>The L-ISA design proposed by Gracia Auvindo featured fewer boxes compared to lengthy stereo arrays using A Series. The system offered similar SPL compared to larger enclosures, allowing the theatre\u2019s management to acquire a powerful system that stayed well within the revitalization project budget.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"547\" data-id=\"28842\" src=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_1_ed-1024x547.jpg\" alt=\"\" class=\"wp-image-28842\" srcset=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_1_ed-1024x547.jpg 1024w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_1_ed-300x160.jpg 300w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_1_ed-768x410.jpg 768w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_1_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The 954-seat Graha Bakti Budaya theatre hosts original Indonesian artistic performances such as concerts, dramas, dance, and film screenings.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"28844\" src=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2-1024x768.jpg\" alt=\"\" class=\"wp-image-28844\" srcset=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2-300x225.jpg 300w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2-768x576.jpg 768w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2-1536x1152.jpg 1536w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_2.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The main Scene System consists of five hangs of two L-Acoustics A10 Focus and two A10 Wide each, spread evenly across the stage proscenium.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The final design consists of a Scene System of five hangs of two L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/a10-focus\/\" target=\"_blank\" rel=\"noreferrer noopener\">A10 Focus<\/a> and two <a href=\"https:\/\/www.l-acoustics.com\/products\/a10-wide\/\" target=\"_blank\" rel=\"noreferrer noopener\">A10 Wide<\/a> each, spread evenly across the stage proscenium. Two further hangs, one A10 Focus and two A10 Wide each, are hung on either side of the Scene System for extension. A center hang of six <a href=\"https:\/\/www.l-acoustics.com\/products\/ks21\/\" target=\"_blank\" rel=\"noreferrer noopener\">KS21<\/a> subwoofers ensures low-frequency definition. Sixteen coaxial <a href=\"https:\/\/www.l-acoustics.com\/products\/x8\/\" target=\"_blank\" rel=\"noreferrer noopener\">X8<\/a> boxes distributed along the side and rear walls of the theatre hall make up the surround system, with two L-Acoustics X8 boxes for deck fill. Six <a href=\"https:\/\/www.l-acoustics.com\/products\/x12\/\" target=\"_blank\" rel=\"noreferrer noopener\">X12<\/a> point-source speakers are rigged above the audience for height, completing the spatial sound configuration.<\/p>\n\n\n\n<p>Seven L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/5xt\/\" target=\"_blank\" rel=\"noreferrer noopener\">5XT<\/a> embedded across the stage lip provide spatial front-fill, while near-fill is accomplished by three pairs of <a href=\"https:\/\/www.l-acoustics.com\/products\/108p\/\" target=\"_blank\" rel=\"noreferrer noopener\">108P<\/a> active monitors. Performers on stage are served by 10 L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/112p\/\" target=\"_blank\" rel=\"noreferrer noopener\">112P<\/a> monitors, and the entire system is driven by 10 <a href=\"https:\/\/www.l-acoustics.com\/products\/la4x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA4X<\/a> and six <a href=\"https:\/\/www.l-acoustics.com\/carousel\/la2xi\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA2Xi<\/a> amplified controllers powered by an <a href=\"https:\/\/www.l-acoustics.com\/products\/l-isa-processor-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">L-ISA Processor II<\/a> on a Live 32-tier license which allows for 128 inputs and 32 outputs.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"28848\" src=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3-1024x768.jpg\" alt=\"\" class=\"wp-image-28848\" srcset=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3-300x225.jpg 300w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3-768x576.jpg 768w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3-1536x1152.jpg 1536w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_3.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The L-ISA design proposed by Gracia Auvindo featured fewer boxes compared to lengthy stereo arrays.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"28846\" src=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_4_ed-1024x768.jpg\" alt=\"\" class=\"wp-image-28846\" srcset=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_4_ed-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_4_ed-300x225.jpg 300w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_4_ed-768x576.jpg 768w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_4_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The main Scene System hangs ready to be installed by the team at Gracia Auvindo.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>The L-Acoustics Application Project team helped to calibrate the system and train theatre staff and audio consultant Bayu Wicksana to use it for object-based spatial mixing. \u201cThe main scene system makes the positioning of sound objects across the stage more realistic,\u201d says Mr. Bayu. \u201cThis gives our productions, especially theatrical performances, a lush, panoramic feel.\u201d<\/p>\n\n\n\n<p>\u201cI am constantly discovering and exploring endless mixing possibilities with the frontal, height, and surround systems,&#8221; he concludes. \u201cIt is a joy to craft and hear a livelier, more natural atmosphere for the theatre\u2019s diverse range of performances and productions.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" data-id=\"28850\" src=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5-1024x768.jpg\" alt=\"\" class=\"wp-image-28850\" srcset=\"\/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5-1024x768.jpg 1024w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5-300x225.jpg 300w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5-768x576.jpg 768w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5-1536x1152.jpg 1536w, \/wp-content\/uploads\/2023\/02\/LA_Graha_Bakti_Budaya_5.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">L-Acoustics Application Project team helped to calibrate the system and train theatre staff to use it for object-based spatial mixing.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Learn more about Gracia Auvindo at <a href=\"http:\/\/www.graciaauvindo.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.graciaauvindo.com<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 954-seat Graha Bakti Budaya theatre in Indonesia gets an immersive sound upgrade with an A Series L-Acoustics L-ISA sound system.<\/p>\n","protected":false},"author":7,"featured_media":28844,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-28824","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jakarta\u2019s Graha Bakti Budaya Theatre Revitalized with L-Acoustics L-ISA Immersive Hyperreal Sound - L-Acoustics<\/title>\n<meta name=\"description\" content=\"An L-Acoustics L-ISA sound system delivers the right immersive experience to best match Jakarta\u2019s Graha Bakti Budaya Theatre.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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