{"id":26570,"date":"2023-01-24T01:12:05","date_gmt":"2023-01-24T00:12:05","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=hot-news&#038;p=26570"},"modified":"2023-01-31T11:19:00","modified_gmt":"2023-01-31T10:19:00","slug":"polands-lomza-philharmonic-redesigns-residence-with-l-acoustics","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/polands-lomza-philharmonic-redesigns-residence-with-l-acoustics\/","title":{"rendered":"Poland\u2019s \u0141om\u017ca Philharmonic Redesigns Residence with L-Acoustics"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><em>Refit provides award-winning Philharmonic with a state-of-the-art audio system<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>Lomza, Poland \u2013 January 2023<\/strong> \u2013 Established in 1977, the Witold Lutos\u0142awski Chamber Philharmonic in the Northeastern city of \u0141om\u017ca was named in honor of the Polish&nbsp;composer&nbsp;and&nbsp;conductor, considered to be the country\u2019s greatest musician since Chopin, and ranked amongst the most significant 20<sup>th<\/sup>-century classical musicians. After many years in different locations, almost two thousand performances, and receiving numerous awards for its artistic achievements and contribution to the development of musical culture, the Philharmonic took the ambitious step of rebuilding an existing venue and refurbishing it to an ideal specification for music performances. That specification includes a comprehensive, state-of-the-art loudspeaker system from L-Acoustics.<\/p>\n\n\n\n<p>\u201cThe building that we chose was designed for sports, not for music, so we needed to completely rebuild it for the Philharmonic,\u201d explains Jan Milosz Zarzycki, general and artistic director of the \u0141om\u017ca Philharmonic. \u201cThe project was several years in the making and included significant structural changes, followed by a delayed opening due to the pandemic.<\/p>\n\n\n\n<p>To achieve the Philharmonic\u2019s goals, the roof needed to be rebuilt from scratch to accommodate heavier loads. The concert hall interior was deepened, and the foyer was adapted into a new concert space for chamber concerts. \u201cAs the construction advanced, we began to search for an audio system that would be the centerpiece of the new hall,\u201d continues Zarzycki. \u201cWhile many classical performances would remain acoustic, we required a flawless sound reinforcement system for pop music concerts. We also needed a system that would blend in with the architecture and not visually overwhelm the hall.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26595\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_2_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26595\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_2_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_2_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_2_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_2_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u0141om\u017ca Philharmonic\u2019s concert hall features a main left \/ right system of L-Acoustics Kiva II, topped by SB15 subwoofers, with X12 mounted beside the main hangs as side-fills.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26596\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_1_ed-1-1024x684.jpg\" alt=\"\" class=\"wp-image-26596\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_1_ed-1-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_1_ed-1-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_1_ed-1-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_1_ed-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Stage monitoring is delivered by L-Acoustics X Series.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Warsaw-based distributor Audio Plus was the leading contractor for the project, designing and coordinating all technology elements for the complex redesign. Having previously designed award-winning L-Acoustics systems, including Cavatina Hall in the south of Poland, Audio Plus was confident that the brand had the power, clarity, and flexibility for a project that needed to cater to content that would range from acoustic, reinforced, and hybrid.<\/p>\n\n\n\n<p>\u201cThis is a great example of an installation that we have tackled from A to Z for the entire stage technology, not just the sound system in which we specialize,\u201d says Robert Kukie\u0142ka, Project Manager at Audio Plus. \u201cThis allowed us to coordinate different parts of the installation, from acoustic adaptation to mechanics, light, and sound. We are proud to have equipped a facility that boasts world-class equipment for many years to come, and L-Acoustics\u2019 exceptional reputation and product portfolio firmly positions them at the center of this refurbishment.\u201d<\/p>\n\n\n\n<p>The venue comprises a concert hall, foyer, sound booth, and recording studio. The concert hall sound design was created in cooperation with specialist consultants ewkAkustika, which managed the acoustic design with technology design from SDST.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26598\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_4_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26598\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_4_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_4_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_4_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_4_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Close up of the main L-Acoustics Kiva II hangs and X12 stage fill in \u0141om\u017ca Philharmonic\u2019s concert hall.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26600\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_3_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26600\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_3_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_3_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_3_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_3_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Stage monitoring is delivered by L-Acoustics X Series.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>\u201cSeveral proprietary products were used to shape the concert hall\u2019s acoustics, with a windowless sound booth allowing engineers to listen directly to the hall\u2019s audio feed,\u201d explains Ewa Wi\u0119ckowska-Kosmala, Acoustics Designer at ewkAkustika. \u201cThe foyer, which is used as a second performance space, has also been acoustically treated.\u201d<\/p>\n\n\n\n<p>The main concert hall audio configuration comprises two hangs of eight <a href=\"https:\/\/www.l-acoustics.com\/products\/kiva-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kiva II<\/a>, topped by two <a href=\"https:\/\/www.l-acoustics.com\/products\/sb15m\/\" target=\"_blank\" rel=\"noreferrer noopener\">SB15<\/a> subwoofers, with a further four <a href=\"https:\/\/www.l-acoustics.com\/products\/sb18\/\" target=\"_blank\" rel=\"noreferrer noopener\">SB18<\/a> subwoofers positioned on the floor. Six <a href=\"https:\/\/www.l-acoustics.com\/products\/5xt\/\" target=\"_blank\" rel=\"noreferrer noopener\">5XT<\/a> compact 2-way passive cabinets provide front-fill, while two <a href=\"https:\/\/www.l-acoustics.com\/products\/x12\/\" target=\"_blank\" rel=\"noreferrer noopener\">X12<\/a> point source cabinets mounted beside the main hangs are used as stage fills. The entire system is powered by five <a href=\"https:\/\/www.l-acoustics.com\/products\/la4x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA4X<\/a> amplified controllers, while a <a href=\"https:\/\/www.l-acoustics.com\/products\/p1\/\" target=\"_blank\" rel=\"noreferrer noopener\">P1<\/a> Processor drives the Milan-AVB networked system. Monitoring for the orchestra is managed via six X12 and two <a href=\"https:\/\/www.l-acoustics.com\/products\/x8\/\" target=\"_blank\" rel=\"noreferrer noopener\">X8<\/a> coaxial enclosures powered by three LA4X amplified controllers, while sound booth monitoring comprises two <a href=\"https:\/\/www.l-acoustics.com\/products\/108p\/\" target=\"_blank\" rel=\"noreferrer noopener\">108P<\/a> cabinets.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26602\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_5_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26602\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_5_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_5_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_5_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_5_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u0141om\u017ca Philharmonic\u2019s sound booth monitoring comprises two L-Acoustics 108P.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26604\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_6_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26604\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_6_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_6_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_6_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_6_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">An L-Acoustics a P1 Processor drives the Milan-AVB networked system.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>With classical performances typically reliant on the direct sound of the hall, the house engineers can use either the SB15 subs or further increase the low frequencies by using the SB18, depending on the type of music being played. Different configurations can be quickly recalled using the P1 processor, which also automatically tunes the system if the humidity or temperature conditions within the venue change.<\/p>\n\n\n\n<p>\u201cWe intended to create a venue with the ideal aesthetics and technical specification to befit a world-leading classical company,\u201d concludes Zarzycki. \u201cThe audio system in the refurbished concert hall has not only met our expectations, but it has exceeded them. We are thankful for the excellent project management from Audio Plus. We are particularly thrilled by the architectural subtlety that the L-Acoustics installation has brought to the project, and the team is amazed at the results.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26606\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_7_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26606\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_7_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_7_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_7_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_7_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u0141om\u017ca Philharmonic\u2019s entire L-Acoustics system is powered by LA4X amplified controllers.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"684\" data-id=\"26608\" src=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_8_ed-1024x684.jpg\" alt=\"\" class=\"wp-image-26608\" srcset=\"\/wp-content\/uploads\/2023\/01\/LA_Lomza_8_ed-1024x684.jpg 1024w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_8_ed-300x200.jpg 300w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_8_ed-768x513.jpg 768w, \/wp-content\/uploads\/2023\/01\/LA_Lomza_8_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u0141om\u017ca Philharmonic\u2019s rebuilt and refurbished venue, which features a state-of-the-art loudspeaker system from L-Acoustics.<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Audio Plus installs a state-of-the-art Kiva- based sound system to blend in with the architecture of the \u0141om\u017ca Philharmonic in Poland.<\/p>\n","protected":false},"author":7,"featured_media":26595,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-26570","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - 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