{"id":25637,"date":"2022-11-10T19:33:00","date_gmt":"2022-11-10T18:33:00","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=hot-news&#038;p=25637"},"modified":"2023-01-31T11:19:15","modified_gmt":"2023-01-31T10:19:15","slug":"l-acoustics-k3-offers-perfect-spl-distribution-and-frequency-consistency-at-the-grande-halle-de-la-villette","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/l-acoustics-k3-offers-perfect-spl-distribution-and-frequency-consistency-at-the-grande-halle-de-la-villette\/","title":{"rendered":"L-Acoustics K3 Offers Perfect SPL Distribution and Frequency Consistency at the Grande Halle de la Villette"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><em>Iconic Parisian venue becomes the first French cultural center to invest in K3<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>PARIS, France \u2013 November 2022<\/strong> \u2013 Parc de la Villette is both a park &#8211; the third largest in Paris &#8211; and a focal point for art, music, and culture, housing the city\u2019s largest concentration of cultural venues, including the Philharmonie de Paris and Cit\u00e9 de la Musique. It\u2019s also home to the physically and psychologically imposing Grand Halle de la Villette. A stunning example of 19th-century cast iron and glass architecture, designed by famous French architect Victor Baltard, the venue was originally an abattoir and was transformed into a multi-use space in 1985. The Grand Halle hosts diverse events including exhibitions, concerts, theatre shows, and festivals. The annual Jazz \u00e0 La Villette festival, hosted here, attracts more than 30,000 jazz enthusiasts every September.<\/p>\n\n\n\n<p>The Grande Halle, which includes the 5,000 capacity Grand Halle, the Salle Charlie Parker, and the Nave, was one of the first venues in the world to benefit from V-DOSC, L-Acoustics&#8217; first full frequency line source array. Installed there in the mid-90s, the system offered more than 25 years of faithful service. When the venue\u2019s team decided it was time for an upgrade, they chose to invest in the powerful yet compact <a href=\"https:\/\/www.l-acoustics.com\/products\/k3\/\" target=\"_blank\" rel=\"noreferrer noopener\">K3<\/a>. Supplied and installed by B Live, a mobile K3 system was chosen to deliver the versatility required by the Grand Halle\u2019s diverse program of events.<\/p>\n\n\n\n<p>The Grand Halle\u2019s 18,000m<sup>2<\/sup> space is modulable to accommodate a wide variety of events, from a cocktail party for 8,000 to a formal seated event for 4,000 visitors. K3 is the ideal solution, complementing the venue\u2019s existing inventory of Kara II, X Series, and SB28 subs; it also has the potential to be reconfigured according to the needs of the production or deployed in other venues as needed.<\/p>\n\n\n\n<p>For most of the year, the system is set up in a left, center, right configuration, with nine K3 per side flanking a center hang of six K3. <a href=\"https:\/\/www.l-acoustics.com\/products\/ks28\/\">KS28<\/a> is deployed in cardioid configuration, and the surround is provided by four <a href=\"https:\/\/www.l-acoustics.com\/products\/x12\/\" target=\"_blank\" rel=\"noreferrer noopener\">X12<\/a> per side. Following the installation, the team at the Grande Halle received a full week of training from L-Acoustics Application Engineer Arnaud Delorme.<\/p>\n\n\n\n<p>For this year\u2019s Jazz \u00e0 La Villette, Technical Director Daniel Matthews designed a configuration using the new system, working closely with the Head of Audiovisual Department, Olivier Olry, and freelance System Engineer Val\u00e9rien Langlais. The design comprised left \/ right main arrays of 12 K3 per side to limit reverberation, optimize coverage, and deliver an even SPL across the entire audience area. Two <a href=\"https:\/\/www.l-acoustics.com\/products\/kara-ii\/\" target=\"_blank\" rel=\"noreferrer noopener\">Kara II<\/a> per side are hung below the K3 for down-fill with a center hang of six Kara II to help provide vocal clarity. AutoFIR array-processing was applied in groups of two K3. Four KS28 subs were flown in cardioid configuration.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_1_ed-1024x683.jpg\" alt=\"\" data-id=\"25651\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25651\" class=\"wp-image-25651\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_1_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_1_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_1_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_1_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed-1024x683.jpg\" alt=\"\" data-id=\"25653\" data-full-url=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25653\" class=\"wp-image-25653\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_2_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\"><sup><em>L-Acoustics K Series delivers power and versatility to Paris\u2019 Grande Halle de la Villette.<\/em><\/sup><\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p>A further two Kara II provide delay to ensure top-level audio precision for the last rows of the audience close to the roof. Kara II are positioned on the stage lip for front-fill. The system is controlled by <a href=\"https:\/\/www.l-acoustics.com\/products\/la12x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA12X<\/a> amplified controllers on a redundant Milan AVB network and AES fallback. Processing is managed by a <a href=\"https:\/\/www.l-acoustics.com\/products\/p1\/\" target=\"_blank\" rel=\"noreferrer noopener\">P1<\/a> Processor.<\/p>\n\n\n\n<p>\u201cThe quick and easy rigging system for K3 and KS28 is a big advantage for us,\u201d says Olry. \u201cIt took no time to hang the system, and we quickly got used to using the Delta 1.5T accessory to remotely adjust the azimuth angle of the K3 lines from two rear motor points. It&#8217;s a life changer as everything can be set, adjusted, and fixed at ground level.\u201d<\/p>\n\n\n\n<p>&#8220;We\u2019ve had great feedback from visiting engineers,\u201d adds Matthews. \u201cK3 is a true full-range system which responds very well from 40Hz with great coherence across the spectrum and sounds great straight out of the box.\u201d<\/p>\n\n\n\n<p>Olry echoes Matthews\u2019s thoughts, adding that K3 contour capacity is vital and has a deep frequency response that extension is needed only for ultra-low-end. \u201cIn contrast to a modular 8&#8243; or 10&#8243; system, the K3 rigging system means we can also hang the KS28, and coverage is consistent across the entire audience area. It\u2019s definitely a win-win for everybody!&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-0 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed-1024x683.jpg\" alt=\"\" data-id=\"25660\" data-full-url=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25660\" class=\"wp-image-25660\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_3_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">L-Acoustics K3 complements the venue\u2019s existing inventory of Kara II, X Series and SB28 subs.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed-1024x683.jpg\" alt=\"\" data-id=\"25658\" data-full-url=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25658\" class=\"wp-image-25658\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_4_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">L-Acoustics Kara II are positioned on the stage lip for front-fill.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Langlais concurs, noting K3 also offers the best solution for the seated audience configuration in the Grande Halle\u2019s 3,000 m2 Salle Charlie Parker. Langlais explains that here, the visual impact of the system was mitigated by placing the KS28 behind the K3, an advantage for theatre or dance productions. &#8220;The versatility of K3 is a huge advantage for us. There are almost no limits on how we can deploy it,\u201d concludes Matthews. \u201cIt has great low end in a compact format, and the horizontal adjustment with Panflex is very efficient. From the initial design in Soundvision with its Autosplay and AutoFIR functions to the set-up with Network Manager and the <a href=\"https:\/\/www.l-acoustics.com\/carousel\/m1\/\" target=\"_blank\" rel=\"noreferrer noopener\">M1<\/a> measurement platform, everything is designed to maximize efficiency, and you can get straight into optimizing the system. And with K3, you quickly know how to make sure everything is optimized in terms of SPL distribution and frequency coherence for the entire audience.\u201d&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed-1024x683.jpg\" alt=\"\" data-id=\"25664\" data-full-url=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25664\" class=\"wp-image-25664\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_5_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Left to right \u2013 Val\u00e9rien Langlais, Olivier Olry and Daniel Matthews<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed-1024x683.jpg\" alt=\"\" data-id=\"25662\" data-full-url=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=25662\" class=\"wp-image-25662\" srcset=\"\/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/11\/LA_Grande_Halle_de_la_Vilette_6_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Tank and the Bangas performing at Grande Halle de la Vilette with the new L-Acoustics K3 system.<\/figcaption><\/figure><\/li><\/ul><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>An L-Acoustics K Series sound system installed by B Live delivers power and versatility to the Grande Halle de la Villette in Paris, France.<\/p>\n","protected":false},"author":7,"featured_media":25653,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-25637","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - 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