{"id":23974,"date":"2022-06-10T22:01:40","date_gmt":"2022-06-10T20:01:40","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=hot-news&#038;p=23974"},"modified":"2023-01-31T11:19:59","modified_gmt":"2023-01-31T10:19:59","slug":"novatech-designs-invisible-l-acoustics-syva-for-adelaide-fringe-sky-song-drone-spectacular","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/novatech-designs-invisible-l-acoustics-syva-for-adelaide-fringe-sky-song-drone-spectacular\/","title":{"rendered":"Novatech Designs \u2018Invisible\u2019 L-Acoustics Syva for Adelaide Fringe Sky Song Drone Spectacular"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><em>Syva, Syva Low, and SB28 provide sonic impact to multi-media retelling of First Nations stories<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><strong>SOUTH AUSTRALIA, Australia \u2013 June 2022<\/strong> <strong>\u2013 <\/strong>Adelaide Fringe festival\u2019s <em>Sky Song<\/em> was the world\u2019s first feature-length drone art display, and it took place throughout the month of March on the rolling hills and plains surrounding a winery in McLaren Vale, South Australia. The multi-media experiential show featured music and stories from Australia\u2019s First Nations indigenous people, told with the aid of stunning visual effects against the night sky. This epic visual spectacle was created through a collaboration between the producers of the Adelaide Fringe and partners providing technical, artistic, and hospitality support and was backed by the Australian government\u2019s RISE Fund initiative and the South Australian Tourism Commission.<\/p>\n\n\n\n<p>A 72-meter-wide holographic screen showed visual projections of First Nations stories, with the UK company, <a href=\"https:\/\/celestial.show\/\" target=\"_blank\" rel=\"noreferrer noopener\">Celestial<\/a> operating drones in the sky for a visual extension. Each of the drones possessed an individual LED light and were all programmed digitally to complement further the unique dot art style of the indigenous people of Australia.\u00a0<\/p>\n\n\n\n<p>The show\u2019s soundtrack was a mix of speech, poetry, and music, which were the first elements produced in the initial pre-production phase. All visual elements were then designed to match, and the collaborative teams knew the importance of a sound system that could reproduce clarity of speech as well as provide sufficient power for music soundtracks such as the bottom-end heavy finale track by Aboriginal Australian electronic music artiste Electric Fields.<\/p>\n\n\n\n<p>As official production partners for the Adelaide Fringe, L-Acoustics Certified Rental Partner Novatech was tasked with deploying a system for the show\u2019s 100-meter-wide by 80-meter-deep open grass audience area, in which six thousand attendees could come with their own picnics and seating to enjoy the visual spectacle.<\/p>\n\n\n\n<p>The primary challenge for the team at Novatech was to design a system that would cover this vast audience area without obstructing any of the visual elements. With the ground-based holographic screen measuring a massive 15 meters tall, stacked, or flown speaker arrays were not an option.<\/p>\n\n\n\n<p>\u201cWith this project\u2019s unique challenges, Syva was the logical choice. We needed even coverage, exceptional quality, and the lowest possible visual impact to ensure clean<\/p>\n\n\n\n<p>sightlines. Syva\u2019s wide dispersion angle also allowed us to have fewer delays to cover the width of the site,\u201d explains Michael Roberts, Account Project Manager at Novatech.<\/p>\n\n\n\n<p>Before presenting it to Sky Song\u2019s production design team, the Novatech team, an all-L-Acoustics supplier, worked on a system design internally using Soundvision 3D mapping software. Roberts reveals, \u201cI think they were expecting us to propose a much larger system with more elements, so our design was initially met with considerable skepticism. However, I was confident with Syva and our calculations in Soundvision.\u201d<\/p>\n\n\n\n<p>Novatech also used Soundvision to plan out the best spacing and height of the delay system and ensure that people sitting right underneath the delays received appropriate sound levels.<\/p>\n\n\n\n<p>The deployment consisted of five sets of <a href=\"https:\/\/www.l-acoustics.com\/products\/syva\/\" target=\"_blank\" rel=\"noreferrer noopener\">Syva<\/a> and <a href=\"https:\/\/www.l-acoustics.com\/products\/syva-low\/\" target=\"_blank\" rel=\"noreferrer noopener\">Syva Low<\/a> sitting atop an SB28 subwoofer across the front of the audience area. Two delay lines consisted of three positions of a single Syva rigged on Novatech\u2019s custom mounting stands, placing the top of each Syva about 3-meters high. The overall system was driven by L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/la4x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA4<\/a>X and LA8 amplified controllers.&nbsp;Novatech\u2019s sound technician Marco Rab aligned and tuned the system.<\/p>\n\n\n\n<p>The decision to replace a <a href=\"https:\/\/www.l-acoustics.com\/products\/syva-sub\/\" target=\"_blank\" rel=\"noreferrer noopener\">Syva Sub<\/a> with L-Acoustics SB28 proved to work amazingly well, achieving a powerful low-end for the dynamic music segments of the show. Moreover, the expectations of both clients, Celestial and Adelaide Fringe, were met and well surpassed.<\/p>\n\n\n\n<p>\u201cThere was a sense of excitement across the collaborative production teams on whether Novatech could deliver a system with minimal impact to the ground-based projection. Fast forward to the first dress rehearsal\u2014everyone was impressed with the system\u2019s quality of sound and even coverage,\u201d Roberts adds.<\/p>\n\n\n\n<p>\u201cI was personally ecstatic with the results,\u201d Roberts concludes. \u201cThe clients\u2019 expectation was a world-class, high-quality sound experience, and we absolutely provided that. The system had headroom to spare, the coverage was spot on, and the visual impact to the audience was kept to a minimum with the low-profile design of Syva. Everyone involved in the production had a great experience, and we received plenty of positive comments about the sound system from attendees.\u201d <\/p>\n\n\n\n<p>Learn more about Novatech at <a href=\"http:\/\/www.ncet.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.ncet.com<\/a>. Find out more about the Adelaide Fringe at <a href=\"http:\/\/www.adelaidefrin\" target=\"_blank\" rel=\"noreferrer noopener\">www.adelaidefringe.com.au<\/a>.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<figure class=\"wp-block-gallery columns-0 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm-1024x682.jpg\" alt=\"\" data-id=\"23978\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23978\" class=\"wp-image-23978\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm-1024x682.jpg 1024w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm-300x200.jpg 300w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm-768x512.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm-1536x1024.jpg 1536w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_1-Credit-\u2013-David-Solm.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Sky Song was the world\u2019s first feature-length drone art display, and it took place throughout the month of March on the rolling hills and plains surrounding a winery in McLaren Vale, South Australia.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm-1024x682.jpg\" alt=\"\" data-id=\"23980\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23980\" class=\"wp-image-23980\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm-1024x682.jpg 1024w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm-300x200.jpg 300w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm-768x512.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm-1536x1024.jpg 1536w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_2-Credit-\u2013-David-Solm.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">A 72-meter-wide holographic screen showed visual projections of First Nations stories, with the UK company, Celestial operating drones in the sky for a visual extension.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm-1024x678.jpg\" alt=\"\" data-id=\"23982\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23982\" class=\"wp-image-23982\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm-1024x678.jpg 1024w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm-300x199.jpg 300w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm-768x509.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm-1536x1018.jpg 1536w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_3-Credit-\u2013-David-Solm.jpg 2000w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">With the ground-based holographic screen measuring a massive 15 metres tall, stacked, or flown speaker arrays were not an option.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_5-Credit-\u2013-David-Solm_ed-683x1024.jpg\" alt=\"\" data-id=\"23984\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23984\" class=\"wp-image-23984\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_5-Credit-\u2013-David-Solm_ed-683x1024.jpg 683w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_5-Credit-\u2013-David-Solm_ed-200x300.jpg 200w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_5-Credit-\u2013-David-Solm_ed-768x1152.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_5-Credit-\u2013-David-Solm_ed.jpg 800w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"blocks-gallery-item__caption\">Novatech deployed five sets of Syva and Syva Low sitting atop an SB28 subwoofer across the front of the audience area.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_4-Credit-\u2013-David-Solm_ed-683x1024.jpg\" alt=\"\" data-id=\"23986\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23986\" class=\"wp-image-23986\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_4-Credit-\u2013-David-Solm_ed-683x1024.jpg 683w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_4-Credit-\u2013-David-Solm_ed-200x300.jpg 200w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_4-Credit-\u2013-David-Solm_ed-768x1152.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_4-Credit-\u2013-David-Solm_ed.jpg 1000w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"blocks-gallery-item__caption\">The decision to replace a Syva Sub with L-Acoustics SB28 proved to work amazingly well, achieving a powerful low-end for the dynamic music segments of the show.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed-1024x683.jpg\" alt=\"\" data-id=\"23990\" data-full-url=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed.jpg\" data-link=\"https:\/\/www.l-acoustics.com\/?attachment_id=23990\" class=\"wp-image-23990\" srcset=\"\/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed-1024x683.jpg 1024w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed-300x200.jpg 300w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed-768x512.jpg 768w, \/wp-content\/uploads\/2022\/06\/LA_Sky_Song_6-Credit-\u2013-David-Solm_ed.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">The show\u2019s soundtrack was a mix of speech, poetry, and music, which were the first elements produced, with all visual elements designed to match after.<\/figcaption><\/figure><\/li><\/ul><figcaption class=\"blocks-gallery-caption\">Photo Credit: David Solm<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Check out how Syva, Syva Low, and SB28 provide sonic impact to the Adeliade Frink Sky Song Drone Spectacular in Australia!<\/p>\n","protected":false},"author":7,"featured_media":23978,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-23974","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Novatech Designs \u2018Invisible\u2019 L-Acoustics Syva for Adelaide Fringe Sky Song Drone Spectacular - L-Acoustics<\/title>\n<meta name=\"description\" content=\"Check out how Syva, Syva Low, and SB28 provide sonic impact to the Adeliade Frink Sky Song Drone Spectacular in Australia!\" \/>\n<meta name=\"robots\" content=\"index, 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