{"id":18901,"date":"2021-12-03T19:32:20","date_gmt":"2021-12-03T18:32:20","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=hot-news&p=18901"},"modified":"2023-01-31T11:21:57","modified_gmt":"2023-01-31T10:21:57","slug":"l-acoustics-k3-brings-versatile-performance-to-club-regent-event-centre","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/l-acoustics-k3-brings-versatile-performance-to-club-regent-event-centre\/","title":{"rendered":"L-Acoustics K3 Brings Versatile Performance to Club Regent Event Centre"},"content":{"rendered":"\n

Designed by Engineering Harmonics and installed by Solotech, the new PA matches the venue\u2019s remarkably flexible seating system move for move, in any configuration<\/em><\/p>\n\n\n\n

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WINNIPEG, Manitoba, Canada \u2013 December 2021 \u2013<\/strong> Before any entertainer ever sets foot on its stage, Club Regent Event Centre is already equipped to put on an amazing show with its computer-automated flexible seating system, which can adapt in minutes into over a dozen seating configurations for any kind of show: theatrical, concert, meetings, and more. Fortunately for patrons of this 1,400-seat venue in Winnipeg, Manitoba, Canada, which is part of the larger Club Regent Casino, the system sounds as amazing as it looks, thanks to an equally remarkable new L-Acoustics K3<\/a>-based sound system.<\/p>\n\n\n\n

\u201cThis is a fairly complex sound system for a very flexible environment,\u201d explains Martin Van Djik, Senior Consultant and Partner at Toronto-based Engineering Harmonics, which designed the Solotech-integrated system. Indeed it is: it comprises L\/R hangs of eight new K3 loudspeaker enclosures each, with six KS21<\/a> subs per side, eight arrays of three Kiva II<\/a> as delays, eight coaxial X8<\/a> frontfills, two larger X12<\/a> outfills, four A15 Wide<\/a> deckfills, and one centerfill consisting of one K3 plus four Kara II<\/a>. Nine LA12X<\/a> and four LA4X<\/a> amplified controllers drive the system, which is connected to an audio network using six LS10<\/a> AVB network switches. For control, a DiGiCo Quantum338 console was also part of the new package, installed by integrator AVG.<\/p>\n\n\n\n

\u201cWe had to design a system that would always provide excellent coverage, whether the room was configured for Broadway show-style theater seating or as a flat, open ballroom-type floor for a trade event or fundraiser,\u201d he says. \u201cEach configuration has its own specific coverage needs, so we designed a sound system to accommodate all of them.\u201d For instance, he says, the rear of the venue can be scrimmed off to create a more intimate space and thus changing the Kiva II delay coverage depending upon the type of event.<\/p>\n\n\n\n

Another characteristic of the venue that required special attention is the fact that it has a relatively low ceiling. Thus, the delays are necessary to achieve the throw required to hit the rear seats. \u201cMore speakers gave us the ability to cover that distance and not sacrifice any dynamic range or sonic quality while doing so,\u201d says Van Djik.<\/p>\n\n\n\n

He also notes that the L-Acoustics product universe gave him all of the options he needed to achieve these complex design goals. For instance, K3 is ideal for applications that require long-throw, reinforced low-frequency contour, broad bandwidth, and limited footprint, such as this venue. What\u2019s especially remarkable is that Van Djik specified the K3 without ever having heard it first.<\/p>\n\n\n\n

\u201cWith the pandemic, it\u2019s been difficult to experience new products, but based on the K3 specifications and the fact that L-Acoustics products all deliver an excellent sonic experience, I felt confident in recommending it for this project,\u201d he says. \u201cThey ticked all the boxes, including low weight and high power-to-weight ratio.\u201d<\/p>\n\n\n\n

The same goes, he adds, for the relatively new A Series loudspeakers, whose A15 Wide versions are used as deckfills. \u201cI just specified A Series speakers on a smaller project in Toronto and was really impressed with the way they sound. And all L-Acoustics systems are rider-friendly, so we know that touring shows will find them attractive.\u201d<\/p>\n\n\n\n

Van Djik sums up how much he appreciated support from Gino Pellicano (L-Acoustics Application Project Manager, Consultant Liaison – Americas) and Andre Pichette (L-Acoustics Senior Application Project Engineer – USA & Canada) onsite. \u201cL-Acoustics gave me the tool kit I needed for what was a complex project, and both the client and the artists they\u2019ve been hosting have all been very happy.\u201d<\/p>\n\n\n\n

For details on Club Regent Event Centre, visit www.casinosofwinnipeg.com<\/a>. Engineering Harmonics and Solotech can be found online at www.engineeringharmonics.com<\/a> and www.solotech.com<\/a>.<\/p>\n\n\n\n

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  • \"\"
    Club Regent Event Centre is one of the newest recipients of an L-Acoustics K3 loudspeaker system<\/figcaption><\/figure><\/li>
  • \"\"
    Engineering Harmonics specified Club Regent\u2019s K3 system, which was integrated by Solotech<\/figcaption><\/figure><\/li>
  • \"\"
    Within minutes, the venue\u2019s 1,400 seats can automatically disappear into the floor to accommodate standing audiences or table setups<\/figcaption><\/figure><\/li>
  • \"\"
    Eight K3 are flown per side, each backed by six KS21 subs<\/figcaption><\/figure><\/li>
  • \"\"
    Streetheart performing at Winnipeg\u2019s Club Regent Event Centre
    Photo Credit: Don Windsor<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n

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