{"id":1317839,"date":"2026-07-27T15:39:41","date_gmt":"2026-07-27T13:39:41","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&#038;p=1317839"},"modified":"2026-08-19T16:07:33","modified_gmt":"2026-08-19T14:07:33","slug":"compact-l-acoustics-l2d-brings-immersive-l-isa-sound-to-every-seat-at-wave-church-drawing-the-congregation-closer","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/compact-l-acoustics-l2d-brings-immersive-l-isa-sound-to-every-seat-at-wave-church-drawing-the-congregation-closer\/","title":{"rendered":"Compact L-Acoustics L2D Brings Immersive L-ISA Sound to Every Seat at Wave Church, Drawing the Congregation Closer"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>\u201cL2D changed the game for us,\u201d says Wave Church\u2019s Steve \u201cTig\u201d Tignor of the immersive system designed and installed by HouseRight<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>VIRGINIA BEACH, Virginia \u2013 July 2026 \u2013<\/strong> Wave Church doesn\u2019t do anything small. The multi-site church\u2019s Virginia Beach headquarters is an 80,000-square-foot center built around a 2,500-seat worship auditorium. Serving a broad congregation across a calendar that runs from weekend worship to conferences and concerts, the church wanted production sound to match its ambition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The room itself was the obstacle. The sanctuary is essentially a 180-degree space, wide across the seating and low in trim height, and the church\u2019s previous mono system left dead spots and uneven coverage. The team\u2019s desire was to not only resolve the coverage compromises, but also increase imaging throughout the venue. Every system they had weighed over the years carried the same penalties: many more conventional boxes, recurring line-of-sight conflicts with the architecture, and steep costs. Adding immersive capability on top looked harder still.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cOne of the big issues we\u2019ve long struggled with is achieving a stereo image in a room with a wide layout and low trim height,\u201d says Wave Church Production Director Steve \u201cTig\u201d Tignor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For the upgrade, Wave Church turned to HouseRight, a house-of-worship AVL specialist, and to an L-Acoustics L-ISA immersive configuration built on L Series loudspeakers. The turning point was the L2D array: its compact form factor delivered the output and clarity the room demanded without the bulk that had caused the sightline problems, finally putting both true stereo and immersive sound within reach.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe production style at Wave Church is highly dynamic and creative,\u201d says Tony Alany, HouseRight\u2019s Church Relations contact. \u201cIn my early conversations with Tig and the team at Wave, balancing that style with satisfying all of the challenges of trim height, volume targets, and coverage were never quite possible with any of the available products at the time\u2014until the release of the L Series. When I saw its reveal event, I knew it was the key to what Wave was looking for. Within three days, I had arranged a trip up to NYC to see the product in person, and there was no turning back. Once they had settled on L2D, L-ISA was clearly the next conversation, which gave them a much wider palette to work with.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"1317840\" src=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-1-1024x683.jpg\" alt=\"Wave Church turned to HouseRight to design and integrate an L-Acoustics L-ISA immersive configuration built on L Series loudspeakers\" class=\"wp-image-1317840\" srcset=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-1-1024x683.jpg 1024w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-1-300x200.jpg 300w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-1-768x512.jpg 768w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Wave Church turned to HouseRight to design and integrate an L-Acoustics L-ISA immersive configuration built on L Series loudspeakers<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"1317842\" src=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-2-1024x683.jpg\" alt=\"The installation centers on a Scene system of five L-Acoustics L2D arrays paired with an Extension system of four A10i arrays plus nine KS28 flown subs\" class=\"wp-image-1317842\" srcset=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-2-1024x683.jpg 1024w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-2-300x200.jpg 300w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-2-768x512.jpg 768w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-2.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The installation centers on a Scene system of five L-Acoustics L2D arrays paired with an Extension system of four A10i arrays plus nine KS28 flown subs<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>L2D at the Heart of the Design<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The installation centers on a Scene system of five L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/l2d\/\" target=\"_blank\" rel=\"noreferrer noopener\">L2D<\/a> arrays. An Extension system adds four arrays of three <a href=\"https:\/\/www.l-acoustics.com\/products\/a10i-focus\/\" target=\"_blank\" rel=\"noreferrer noopener\">A10i Focus<\/a> over one <a href=\"https:\/\/www.l-acoustics.com\/products\/a10-wide\/\" target=\"_blank\" rel=\"noreferrer noopener\">A10 Wide<\/a>, two on each side of the main Scene hangs, while out-fills comprise four <a href=\"https:\/\/www.l-acoustics.com\/products\/a15i-focus\/\" target=\"_blank\" rel=\"noreferrer noopener\">A15i Focus<\/a> over one <a href=\"https:\/\/www.l-acoustics.com\/products\/a15i-wide\/\" target=\"_blank\" rel=\"noreferrer noopener\">A15i Wide<\/a> behind the far left and right Scene arrays. Low end comes from nine <a href=\"https:\/\/www.l-acoustics.com\/products\/ks28\/\" target=\"_blank\" rel=\"noreferrer noopener\">KS28<\/a> subs flown centrally in three cardioid-configured hangs behind the middle Scene array. Out in the house, a dozen <a href=\"https:\/\/www.l-acoustics.com\/products\/x12\/\" target=\"_blank\" rel=\"noreferrer noopener\">X12<\/a> serve as delays for the upper stadium seating areas, with eight more X12 spread out across the stage lip as spatialized front-fills. L-Acoustics <a href=\"https:\/\/www.l-acoustics.com\/products\/la7.16i\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA7.16i<\/a> amplified controllers drive the Scene and Extension arrays, out-fills and delays, while <a href=\"https:\/\/www.l-acoustics.com\/products\/la12x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA12X<\/a> drive the subs and front-fills, and an <a href=\"https:\/\/www.l-acoustics.com\/products\/l-isa-processor-ii-core\/\" target=\"_blank\" rel=\"noreferrer noopener\">L-ISA Processor II<\/a> handles the auditorium\u2019s object-based mix.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Tuning the Delays to Keep Every Seat in the L-ISA Zone<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The room\u2019s wide geometry shaped how the system was configured, and the priority was to keep every listener inside the L-ISA zone, including a ring of seating around the back of the space that the layout made awkward to serve. Rather than simply adding level there, HouseRight used L-ISA to match the front-fills at the front of the room with the rear arc of X12 as imaging delays, carrying the spatial placement that defines the rest of the room all the way to the back row.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cThe challenge was getting coverage everywhere and keeping everybody within the L-ISA zone in what is essentially a 180-degree room,\u201d says Alany. \u201cThe rear arc of X12 gives us that spatial imaging in the back, so every seat in the house gets the effect.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"1317844\" src=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-3-683x1024.jpg\" alt=\"\u201cL2D gave us the power and impact we needed in a much smaller form factor, which resolved our line-of-sight issues,\u201d says Wave Church PD Steve \u201cTig\u201d Tignor\" class=\"wp-image-1317844\" srcset=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-3-683x1024.jpg 683w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-3-200x300.jpg 200w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-3-768x1152.jpg 768w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-3.jpg 800w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">\u201cL2D gave us the power and impact we needed in a much smaller form factor, which resolved our line-of-sight issues,\u201d says Wave Church PD Steve \u201cTig\u201d Tignor<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"1317846\" src=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-4-683x1024.jpg\" alt=\"With object-based mixing, the church\u2019s engineers can place each sonic element on the stage plane and the system delivers it evenly to every seat\" class=\"wp-image-1317846\" srcset=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-4-683x1024.jpg 683w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-4-200x300.jpg 200w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-4-768x1152.jpg 768w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-4.jpg 800w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">With object-based mixing, the church\u2019s engineers can place each sonic element on the stage plane and the system delivers it evenly to every seat<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>A True Spatial Experience for Most of the Room<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The result reset what the room could do. Where the old mono system had left dead spots, the L2D arrays now deliver a true spatialized image to greater than approximately two thirds of the room, while the remainder of the space is getting a mono experience superior to a stereo or traditional mono system. The immersive layer from L-ISA sits on top of that. For Tignor, the wide sonic imaging is the headline.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cL2D gave us the power and impact we needed in a much smaller form factor, which resolved our line-of-sight issues,\u201d he says. \u201cGoing from mono with dead spots to true spatial for most of the room was a night-and-day difference. The immersive sound is wonderful, but that panoramic image is probably my favorite thing about the system.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The system also solved a long-standing practical headache. The front-of-house position has always sat slightly off-center, another function of the architecture. With object-based mixing, that no longer carries a penalty: engineers place each sonic element on the stage plane and the system delivers it evenly to every seat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIf we had gone with a standard left-right line array, we would have had to rearrange the entire auditorium and spend hundreds of thousands of dollars to move front of house to the center,\u201d Tignor recalls. \u201cWith L-ISA, an off-center mix position simply doesn\u2019t matter.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"1317848\" src=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-5-1024x683.jpg\" alt=\"The room\u2019s wide geometry shaped how the L-Acoustics sound system was configured, and the priority was to keep every listener inside the L-ISA zone\" class=\"wp-image-1317848\" srcset=\"\/wp-content\/uploads\/2026\/08\/la-wavechurch-5-1024x683.jpg 1024w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-5-300x200.jpg 300w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-5-768x512.jpg 768w, \/wp-content\/uploads\/2026\/08\/la-wavechurch-5.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The room\u2019s wide geometry shaped how the L-Acoustics sound system was configured, and the priority was to keep every listener inside the L-ISA zone<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>L-ISA as a Creative Tool<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Beyond coverage, L-ISA has changed how the church\u2019s team creates, giving them a far wider canvas of placement, texture and movement to draw a congregation in.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cI\u2019m a music producer and was a pastor for years, and I always approached worship the way I would a record, engaging people with dynamic palettes, panning and reverbs that make it personal,\u201d says Alany. \u201cNow Wave Church gets to do that with a live system, for thousands of people in the same space.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more information on Wave Church, visit <a href=\"http:\/\/www.wavechurch.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.wavechurch.com<\/a>. HouseRight can be found online at <a href=\"http:\/\/www.houseright.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.houseright.com<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To learn more about L-Acoustics L-ISA, visit <a href=\"http:\/\/www.l-acoustics.com\/products\/l-isa-hyperreal\" target=\"_blank\" rel=\"noreferrer noopener\">www.l-acoustics.com\/products\/l-isa-hyperreal<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Press release assets are found by clicking <a href=\"https:\/\/medialibrary.l-acoustics.com\/bWs4iM86h\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cL2D changed the game for us,\u201d says Wave Church\u2019s Steve \u201cTig\u201d Tignor of the immersive system designed and installed by HouseRight VIRGINIA BEACH, Virginia \u2013 July 2026 \u2013 Wave Church doesn\u2019t do anything small. The multi-site church\u2019s Virginia Beach headquarters is an 80,000-square-foot center built around a 2,500-seat worship auditorium. Serving a broad congregation across [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":1317842,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-1317839","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Compact L-Acoustics L2D Brings Immersive L-ISA Sound to Every Seat at Wave Church, Drawing the Congregation Closer- L-Acoustics<\/title>\n<meta name=\"description\" content=\"\u201cL2D changed the game for us,\u201d says Wave Church\u2019s Steve \u201cTig\u201d Tignor of the immersive sound system designed and installed by HouseRight\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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