{"id":1027409,"date":"2025-12-15T12:40:35","date_gmt":"2025-12-15T11:40:35","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&p=1027409"},"modified":"2025-12-16T12:59:02","modified_gmt":"2025-12-16T11:59:02","slug":"ganja-white-night-brings-the-wobble-with-l-acoustics-l-series-to-cover-many-bases-and-basses","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/ganja-white-night-brings-the-wobble-with-l-acoustics-l-series-to-cover-many-bases-and-basses\/","title":{"rendered":"Ganja White Night Brings the Wobble with L-Acoustics L Series to Cover Many Bases and Basses"},"content":{"rendered":"\n

Belgian dubstep duo blends diverse musical influences with heavy bass, and L-Acoustics L2 delivers both the clarity and impact the they need<\/em><\/p>\n\n\n\n

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LOS ANGELES \u2013 December 2025 \u2013<\/strong> Benjamin \u201cBamby\u201d Bayeul and Charlie \u201cErwan\u201d Dodson formed Ganja White Night (GWN) in their hometown of Mons, Belgium in 2004. Since then, 13 albums and countless shows around the world have established them as leading purveyors of the sparse, syncopated, and rapid drum beats that comprise dubstep. Based in Los Angeles since 2019, the pair have incorporated a diversity of influences into their music, often via collaborations with artists like Boogie T, Subtronics, and GRiZ. But translating that broad sonic palette to live performance demands a sound system that can articulate every musical detail while maintaining maximum impact. GWN found a partner in that quest years ago in L-Acoustics, and more recently with the company\u2019s L Series progressive ultra-dense line-source system.<\/p>\n\n\n\n

\u201cThey definitely have a unique, distinguishable sound in the dubstep space, but they were influenced from an early stage with drum \u2019n\u2019 bass music from the kind of clubs that they would frequent as fans before they even really started writing music,\u201d explains David Liberman, GWN\u2019s manager and co-founder of Minneapolis\u2019 celebrated Infrasound Music Festival, which turns the city\u2019s Harmony Park into a bustling festival offering four days of art, music, vendors, and food each summer. \u201cThey\u2019re also big fans of reggae music and you can hear those influences throughout their catalog\u2014from downtempo, melodic dubstep to high-energy anthems. They\u2019re definitely known for dubstep, but they have a large range. So they also needed a sound system that would let all of those musical and lyrical elements cut through clearly and powerfully. The L2 system delivers all of that.\u201d<\/p>\n\n\n\n

\n
\"Ganja
Ganja White Night\u2019s promo artwork for the Seattle and Minneapolis shows featuring the use of L-Acoustics L Series concert sound systems\u00a0(illustration credit: My Name Is Ebo \/\u00a0@my.name.is.ebo<\/a>)<\/em><\/figcaption><\/figure>\n\n\n\n
\"Ganja
Ganja White Night\u2019s recent\u00a0Wobbleween<\/em>\u00a0performance at The Armory in Minneapolis, where Allied Productions & Sales deployed L-Acoustics L Series arrays\u00a0(photo credit: Joe Runge \/\u00a0@joecreate<\/a>)<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

For much of their touring career, GWN were L-Acoustics users, early on relying on K1<\/a> and K2<\/a> systems for shows. However, as their range grew and their lyrical sensibilities evolved, they began playing everything from festivals to clubs, each requiring a sound system that could deliver the growing complexity of their music at any SPL.<\/p>\n\n\n\n

One outcome of that is that GWN has no regular FOH engineer, but instead uses local A1s for each show who are intimately familiar with the individual venues. As a result, they came to rely on L-Acoustics not only for the consistency, but also for connections to regional SR vendors who can provide both optimally-configured systems and A1s who know each room intimately.<\/p>\n\n\n\n

For their 11-city Sprouted<\/em> tour earlier this year\u2014the duo’s first official trek since 2019\u2014Seattle\u2019s FM Systems provided both system and engineer at WAMU Theater, while locally-based Allied Productions & Sales handled their annual Wobbleween<\/em> shows at Minneapolis\u2019 Armory venue.<\/p>\n\n\n\n

That\u2019s allowed GWN to travel a lot lighter than many EDM artists, giving them an unheard of amount of logistical freedom. \u201cL-Acoustics is the top name in sound, and as a result, we can find the equipment practically anywhere,\u201d says Liberman, citing Vikram Kirby, L-Acoustics\u2019 Global Director, Application Operations, as their A1 sherpa. \u201cWe can find their PA in any market, and we work with L-Acoustics to connect with the right providers wherever we tour. For instance, the Sprouted<\/em> tour,\u201d which visited Detroit, Atlanta, Chicago, and more, with shows on back-to-back nights at each venue, \u201cwas just Friday and Saturday in a different market every weekend, so we didn\u2019t have to travel an entire week with the same system. L-Acoustics connects us with trusted vendors in each market who maintain their gear properly and deliver the best quality sound.\u201d<\/p>\n\n\n\n

\n
\"The
The duo \u201cneeded a sound system that would let all of those musical and lyrical elements cut through clearly and powerfully. The L2 system delivers all of that,\u201d says GWN Manager David Liberman\u00a0(photo credit: Joe Runge \/\u00a0@joecreate<\/a>)<\/em><\/figcaption><\/figure>\n\n\n\n
\"\u201cYou\u2019re
\u201cYou\u2019re hearing more pop and other artists doing EDM remixes now, and the clarity of the [L Series] PA is critical to deliver those lyrics clearly,\u201d shares GWN\u2019s Benjamin \u201cBamby\u201d Bayeul\u00a0(photo credit: Joe Runge \/\u00a0@joecreate<\/a>)<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Benjamin \u201cBamby\u201d Bayeul is quick to point out that the changing nature of EDM and its many subgenres now encompass more lyrical content than in the past. \u201cYou\u2019re hearing more pop and other artists doing EDM remixes now,\u201d he says, \u201cand the clarity of the PA is critical to deliver those lyrics clearly. It also helps us take what we do in the studio into the live performance, and the feedback we get from fans at shows tells us we\u2019re succeeding at that.\u201d<\/p>\n\n\n\n

It also comes across onstage, where GWN rely on L-Acoustics Kara II<\/a> or X Series enclosures for monitors, to supplement their IEMs, along with KS Series subwoofers. \u201cI mean, if we don’t feel the subs on stage, it\u2019s really hard to get moving and feel the energy since it\u2019s such bass-focused music,\u201d he says. \u201cUsing the L-Acoustics subs, we\u2019re able to feel exactly what we\u2019re putting out to the room. It puts us in the space with the audience, really, and that\u2019s exactly where we always want to be.\u201d<\/p>\n\n\n\n

Liberman amplifies that, saying that the combination of impact and clarity that the L Series delivers is what virtually brings the studio to the stage for GWN, who then bring the audience up there with them. \u201cThey need power, but they also need clarity, because their music is complex, and there\u2019s almost a cinematic approach to what they create,\u201d he says. \u201cOne of their biggest influences is Hans Zimmer; they\u2019re absolutely enamored with his ability to capture emotion and tell a story with music. Ganja White Night\u2019s music similarly taps into deep emotions, and L Series gives them both the clarity and low-frequency impact needed to take their recordings into the live environment and bring those stories to life.\u201d<\/p>\n\n\n\n

Elaborating on that need for clarity, FM Systems A1 Kyle Kirwan, who is one of the elite team of front-of-house engineers to semi-regularly work with GWN, says lyrical intelligibility is a hallmark of L-Acoustics loudspeakers, and of the L Series in particular. \u201cL2 has a very unique approach to speech intelligibility and clarity,\u201d he says. \u201cIt has excellent high-frequency resolution and there are no inter-enclosure angles in the arrays,\u201d describing the angle between adjacent speaker cabinets, which determines the vertical or horizontal coverage of the entire sound system. \u201cL2 is also a very efficient enclosure to deploy, quick to fly and hang, and is a dream from a control perspective.\u201d<\/p>\n\n\n\n

\n
\"The
The recent Armory and WAMU Theatre shows paired L2\/L2D mains with flown L-Acoustics KS28 subs for maximum clarity and impact\u00a0(photo credit: Joe Runge \/\u00a0@joecreate<\/a>)<\/em><\/figcaption><\/figure>\n\n\n\n
\"\u201cL2
\u201cL2 is a very efficient enclosure to deploy, quick to fly and hang, and is a dream from a control perspective,\u201d says FM Systems A1 Kyle Kirwan\u00a0(photo credit: Joe Runge \/\u00a0@joecreate<\/a>)<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Further, he notes, its cardioid design reduces spill onstage even as it increases the SPL out front. \u201cThat really cleans up the stage, making that environment that much better for the artist,\u201d he says. \u201cAnd combined with the KS28<\/a>, we have a contour all the way down to 20 Hertz, which helps us give the audience the same experience the musicians have on stage. The audience hears exactly what the musicians are giving them. That\u2019s pretty amazing.\u201d<\/p>\n\n\n\n

For details on Ganja White Night\u2019s shows, visit\u00a0https:\/\/ganjawhitenight.com<\/a>. FM Systems and Allied Productions & Sales can be found online at\u00a0www.fmsystems.net<\/a>\u00a0and\u00a0www.allied.productions<\/a>.<\/p>\n\n\n\n

Press release assets are found by clicking here<\/a>.<\/p>\n\n\n\n

All photos courtesy of Ganja White Night<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Belgian dubstep duo blends diverse musical influences with heavy bass, and L-Acoustics L2 delivers both the clarity and impact the they need LOS ANGELES \u2013 December 2025 \u2013 Benjamin \u201cBamby\u201d Bayeul and Charlie \u201cErwan\u201d Dodson formed Ganja White Night (GWN) in their hometown of Mons, Belgium in 2004. Since then, 13 albums and countless shows around […]<\/p>\n","protected":false},"author":56,"featured_media":1027410,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-1027409","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nGanja White Night Brings the Wobble with L-Acoustics L Series to Cover Many Bases and Basses- L-Acoustics<\/title>\n<meta name=\"description\" content=\"Belgian dubstep duo blends diverse musical influences with heavy bass, and L-Acoustics L2 delivers both the clarity and impact the they need\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.l-acoustics.com\/press-releases\/ganja-white-night-brings-the-wobble-with-l-acoustics-l-series-to-cover-many-bases-and-basses\/\" 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