{"id":1006397,"date":"2025-11-26T18:16:49","date_gmt":"2025-11-26T17:16:49","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&#038;p=1006397"},"modified":"2025-12-02T18:17:20","modified_gmt":"2025-12-02T17:17:20","slug":"texas-trust-cu-theatre-continues-to-trust-in-l-acoustics-with-new-k2-system","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/texas-trust-cu-theatre-continues-to-trust-in-l-acoustics-with-new-k2-system\/","title":{"rendered":"Texas Trust CU Theatre Continues to Trust in L-Acoustics with New K2 System"},"content":{"rendered":"\n<p><em>Popular Dallas-area venue upgrades from V-DOSC after more than a decade of faithful service<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>GRAND PRAIRIE, Texas \u2013 November 2025 \u2013<\/strong>&nbsp;Since first opening in 2002, Texas Trust CU Theatre at Grand Prairie has seen a variety of name changes: Texas ShowPlace, NextStage Performance Theater, Nokia Live, Verizon Theatre, and its current moniker, after Texas Trust Credit Union acquired the venue\u2019s naming rights in 2021. However, one thing that has remained constant is the 6,350-capacity live performance hall\u2019s commitment to delivering amazing-sounding concerts and shows, thanks in large part to an L-Acoustics V-DOSC loudspeaker system installed there by Onstage Systems more than a decade ago. Now, to best maintain that same commitment for the next ten-plus years, the city-owned and AEG-operated indoor theatre has upgraded its audio facilities with a modern L-Acoustics K2 concert sound system.<\/p>\n\n\n\n<p>\u201cWhen looking for a new PA, L-Acoustics was the first contender on a very short list, and it was a very brief deliberation before deciding to stick with the \u2018sure thing\u2019 and a proven track record that is accepted on every rider,\u201d says Tyler Johnston, Dallas Operations Manager for LD Systems, a Clair Global brand, which acquired Onstage\u2019s equipment inventories earlier this year. \u201cThe venue\u2019s V-DOSC system continued to deliver solid performance after more than a decade of service. However, as touring acts increasingly arrived with K2 systems, upgrading to match current industry standards became the logical next step\u2014allowing the venue to offer seamless integration while maintaining the L-Acoustics reliability they\u2019d come to trust.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"699\" data-id=\"1006399\" src=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-1-1024x699.jpg\" alt=\"Texas Trust CU Theatre at Grand Prairie now has an L-Acoustics K2 rig\" class=\"wp-image-1006399\" srcset=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-1-1024x699.jpg 1024w, \/wp-content\/uploads\/2025\/12\/la-ttcut-1-300x205.jpg 300w, \/wp-content\/uploads\/2025\/12\/la-ttcut-1-768x524.jpg 768w, \/wp-content\/uploads\/2025\/12\/la-ttcut-1.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Texas Trust CU Theatre at Grand Prairie now has an L-Acoustics K2 rig<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Working with L-Acoustics Soundvision and the manufacturer\u2019s Application team, Johnston designed the new concert sound system, which now features main arrays of 12 <a href=\"https:\/\/www.l-acoustics.com\/products\/k2\/\" target=\"_blank\" rel=\"noreferrer noopener\">K2<\/a> per side, each backed by a hang of six <a href=\"https:\/\/www.l-acoustics.com\/products\/ks28\/\" target=\"_blank\" rel=\"noreferrer noopener\">KS28<\/a> subwoofers in a cardioid configuration. These are augmented by four <a href=\"https:\/\/www.l-acoustics.com\/products\/ks21\/\" target=\"_blank\" rel=\"noreferrer noopener\">KS21<\/a> subs on each side of the stage, located below the mains, while coaxial <a href=\"https:\/\/www.l-acoustics.com\/products\/x8i\/\" target=\"_blank\" rel=\"noreferrer noopener\">X8i<\/a> are spread out across the stage lip as front-fills.<\/p>\n\n\n\n<p>L-Acoustics A15 enclosures are deployed for a center vocal array, as well as wide\/out-fill arrays, with eight more <a href=\"https:\/\/www.l-acoustics.com\/products\/a15-focus\/\">A15<\/a> clusters flown from a delay ring addressing the upper balcony seating area. The entire PA is powered by LA7.16i amplified controllers, aside from the subs, which are <a href=\"https:\/\/www.l-acoustics.com\/products\/la12x\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA12X<\/a>-driven. The concert sound system also features a <a href=\"https:\/\/www.l-acoustics.com\/products\/p1\/\" target=\"_blank\" rel=\"noreferrer noopener\">P1<\/a> processor and <a href=\"https:\/\/www.l-acoustics.com\/products\/ls10\/\" target=\"_blank\" rel=\"noreferrer noopener\">LS10<\/a> Milan-AVB front end that is fully redundant. For stage monitoring, the venue now offers a collection of <a href=\"https:\/\/www.l-acoustics.com\/products\/x15-hiq\/\" target=\"_blank\" rel=\"noreferrer noopener\">X15 HiQ<\/a> wedges and A15\/KS21 side-fills, while a pair of DiGiCo Quantum3<sup>38<\/sup>\u00a0FOH and monitor consoles round out the new gear complement.<\/p>\n\n\n\n<p>The Soundvision design\u2019s final result is a system that offers across-the-board improvements in power, fidelity, dispersion, and physical size. \u201cWe went from 15 boxes in the previous system to 12 per side, because of the vertical and horizontal coverage pattern of K2, and still got better coverage,\u201d Johnston notes. \u201cSingle-box resolution on the <a href=\"https:\/\/www.l-acoustics.com\/products\/la7.16i\/\" target=\"_blank\" rel=\"noreferrer noopener\">LA7.16i<\/a> amplified controllers allowed for optimal filtering from the top to the bottom of the arrays, providing very even coverage and tonal response throughout the venue. The delay ring is quite robust and those \u2018cheap seats\u2019 actually sound great now with overlapping A15 clusters hitting every inch of the balcony, while still getting some of the power and \u2018feel\u2019 from the big K2 and KS28 arrays at the stage.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"701\" data-id=\"1006401\" src=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-2-1024x701.jpg\" alt=\"A view of the 6,350-capacity house, with X8i front-fills on the stage lip\" class=\"wp-image-1006401\" srcset=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-2-1024x701.jpg 1024w, \/wp-content\/uploads\/2025\/12\/la-ttcut-2-300x205.jpg 300w, \/wp-content\/uploads\/2025\/12\/la-ttcut-2-768x525.jpg 768w, \/wp-content\/uploads\/2025\/12\/la-ttcut-2.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">A view of the 6,350-capacity house, with X8i front-fills on the stage lip<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"685\" data-id=\"1006403\" src=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-3-1024x685.jpg\" alt=\"The city-owned, AEG-operated indoor theatre upgraded from V-DOSC\" class=\"wp-image-1006403\" srcset=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-3-1024x685.jpg 1024w, \/wp-content\/uploads\/2025\/12\/la-ttcut-3-300x201.jpg 300w, \/wp-content\/uploads\/2025\/12\/la-ttcut-3-768x514.jpg 768w, \/wp-content\/uploads\/2025\/12\/la-ttcut-3.jpg 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">The city-owned, AEG-operated indoor theatre upgraded from V-DOSC<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>Johnston proudly reports that he\u2019s already heard numerous positive comments about the \u201cconsistency of coverage and how there are no longer any bad-sounding seats,\u201d he says. \u201cAnd, of course, the rider acceptance is great. When your tech pack reads \u2018K2 PA, X15 wedges, and Quantum338 desks\u2019, there\u2019s no pushback from any touring artist. The cost and hassle savings of not having to constantly negotiate removing house gear has been a huge boost to their operations, and their new K2 setup was absolutely the right choice for them moving forward.\u201d<\/p>\n\n\n\n<p>For Amanda West, AEG Presents\u2019 Director of Production, the new system\u2019s enhancements in fidelity and coverage were immediately noticeable. \u201cThe sound quality in the balcony and far reaches of the theater is striking\u2014every patron is truly hearing the same concert,\u201d she says. \u201cAnother big plus is that touring engineers are all really pleased with what we have to offer and enjoy mixing their shows in our space.\u201d<\/p>\n\n\n\n<p>Roger Gates, the venue\u2019s Operations Manager for AEG Presents, also appreciates K2\u2019s sonic performance. \u201cAlan Parsons played a concert here, and it sounded absolutely amazing!\u201d he enthuses. \u201cAlan is known for his studio magic and attention to detail when it comes to sound and the listening audience\u2019s experience, and he did not disappoint when he performed on our new system. It was probably as close to his studio sound as you can possibly get, and both our guests and staff were floored by the quality of the audio.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"661\" height=\"1024\" data-id=\"1006405\" src=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-4-661x1024.jpg\" alt=\"TTCUT\u2019s arrays of 12 K2 per side are each backed by six KS28 subs\" class=\"wp-image-1006405\" srcset=\"\/wp-content\/uploads\/2025\/12\/la-ttcut-4-661x1024.jpg 661w, \/wp-content\/uploads\/2025\/12\/la-ttcut-4-194x300.jpg 194w, \/wp-content\/uploads\/2025\/12\/la-ttcut-4-768x1189.jpg 768w, \/wp-content\/uploads\/2025\/12\/la-ttcut-4.jpg 775w\" sizes=\"auto, (max-width: 661px) 100vw, 661px\" \/><figcaption class=\"wp-element-caption\">TTCUT\u2019s arrays of 12 K2 per side are each backed by six KS28 subs<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p>\u201cAnd there are many other similar examples,\u201d he continues. \u201cDwight Yoakam played a great show, and his acoustic guitar was bright and up front in the mix. More recently, we hosted tribute act Brit Floyd, and the room sounded incredible with everything you\u2019d expect from listening to Pink Floyd\u2019s music. All of the details were clear and bright, with no muddiness or loss of fidelity. One could have easily confused the sound for a high-quality, well-mixed live recording. That\u2019s a huge compliment, not only to the band and their engineer, but also our new K2 system, which delivers excellent sound quality throughout the entire theatre with no dead spots or gaps, even in the highest corners of the space.\u201d<\/p>\n\n\n\n<p>For more details on Texas Trust CU Theatre, visit\u00a0<a href=\"http:\/\/www.texastrustcutheatre.com\" target=\"_blank\" rel=\"noreferrer noopener\">www.texastrustcutheatre.com<\/a>.<\/p>\n\n\n\n<p>Press release assets are found by <a href=\"https:\/\/medialibrary.l-acoustics.com\/p?t=bE1hD2753#\/share\" target=\"_blank\" rel=\"noreferrer noopener\">clicking here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Popular Dallas-area venue upgrades from V-DOSC after more than a decade of faithful service GRAND PRAIRIE, Texas \u2013 November 2025 \u2013&nbsp;Since first opening in 2002, Texas Trust CU Theatre at Grand Prairie has seen a variety of name changes: Texas ShowPlace, NextStage Performance Theater, Nokia Live, Verizon Theatre, and its current moniker, after Texas Trust [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":1006399,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-1006397","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Texas Trust CU Theatre Continues to Trust in L-Acoustics with New K2 Concert Sound System- L-Acoustics<\/title>\n<meta name=\"description\" content=\"Popular Dallas-area venue upgrades from V-DOSC to K2 Concert Sound System after more than a decade of faithful service\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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