{"id":1004860,"date":"2025-11-24T15:07:54","date_gmt":"2025-11-24T14:07:54","guid":{"rendered":"https:\/\/www.l-acoustics.com\/?post_type=press-release&p=1004860"},"modified":"2025-12-01T16:42:56","modified_gmt":"2025-12-01T15:42:56","slug":"l-acoustics-k-series-concert-sound-system-a-rock-n-roll-star-on-oasis-live-25","status":"publish","type":"press-release","link":"https:\/\/www.l-acoustics.com\/fr\/press-releases\/l-acoustics-k-series-concert-sound-system-a-rock-n-roll-star-on-oasis-live-25\/","title":{"rendered":"L-Acoustics K Series Concert Sound System a \u201cRock \u2019n\u2019 Roll Star\u201d on\u00a0Oasis Live \u201925"},"content":{"rendered":"\n

Britannia Row carries K1\/K2 arrays on the Gallagher brothers\u2019 highly-anticipated reunion tour<\/em><\/p>\n\n\n\n

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MANCHESTER, UK \u2013 November 2025 \u2013<\/strong> The reunion tour that defined 2025 is here. Oasis’ Live \u201925<\/em> tour marks the return of Liam and Noel Gallagher to the stage together for the first time in 16 years, delivering 41 sold-out stadium shows across 17 cities worldwide between July 4 and November 23. With three additional shows added due to overwhelming demand, the tour has become the live music event of the year. To accommodate the massive audiences packing stadiums at each stop, Britannia Row Productions, a Clair Global brand, is carrying an L-Acoustics K Series concert sound system.<\/p>\n\n\n\n

While this marks Oasis\u2019 first tour with the French loudspeaker manufacturer, L-Acoustics has been part of the Gallagher brothers\u2019 sonic evolution for well over a decade. When Noel Gallagher\u2019s High Flying Birds launched their touring career in 2011, FOH engineer Dan Lewis specified K1 and K2 arrays with precision-tuned subwoofer arrangements to nail Noel\u2019s signature controlled low-end. Meanwhile, Liam\u2019s solo tours packed the same punch, deploying a K Series setup for his explosive Definitely Maybe<\/em> 30th anniversary tour in 2024, with K1 over K2 arrays and flown K1-SB subs.<\/p>\n\n\n\n

\n
\"The
The tour\u2019s L-Acoustics K1\/K2 delay system was upscaled to six towers for the band\u2019s hometown show in Manchester<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\"Oasis\u2019
Oasis\u2019 show at Heaton Park<\/figcaption><\/figure>\n\n\n\n
\"Oasis\u2019
Oasis\u2019 show at Heaton Park<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

“Supersonic” Stadium System: K1, K2, and KS28 Cardioid Subs<\/strong>
For the current\u00a0Oasis Live \u201925<\/em>\u00a0tour, the system deployment is even more grand in scale than either of the siblings\u2019 separate ventures. The rig features main arrays of four L-Acoustics K1-SB<\/a> subs over 14 K1<\/a> over two K2<\/a> per side, with left and right hangs of 16 K1-SB subs adjacent to each main, while rear 270\u00b0 hangs add a dozen more K2 per side. Out-fill hangs were identical to the main arrays for the European run, but the audio crew swapped out the four K1-SB with four K1 in North America due to the higher venue heights. On the ground, four dozen KS28<\/a> subs are deployed in 16 stacks of three, all in a cardioid configuration, with six K3<\/a> serving as front-fills. Twenty A15 are utilized as out-fills, while another eight A15 are used as FOH shadow-fills.<\/p>\n\n\n\n

The tour\u2019s delay system typically consists of four towers of 12 K1 over four K2, although that was upscaled to six towers for the band\u2019s hometown show in Manchester to cover the field. And in venues where a ring delay system can be hung from the stadium roof, between eight and 11 hangs of eight K2 each have been flown. The full system is more than amply driven by an impressive total of 136 LA12X<\/a> amplified controllers, paired with a P1<\/a> processor at FOH, which is primarily used to run an analog backup and for using M1 to tune the system.<\/p>\n\n\n\n

The tour\u2019s crew chief and systems engineer, Ben Webb, who has also worked with Peter Gabriel, Thirty Seconds to Mars, and the K-pop band ATEEZ in recent years, is highly familiar with L-Acoustics, having taken Brit Row\u2019s first L-ISA-equipped L Series arena touring system out with Andrea Bocelli earlier in the year. For Oasis, Webb is tasked with crafting the Soundvision design for each tour stop and rigging the system for co-FOH engineers Dan Lewis, who mixes Noel and the band, and Sam Parker, who mixes Liam\u2019s vocal and effects.<\/p>\n\n\n\n

\n
\"Oasis
Oasis performing at Principality Stadium in Cardiff\u00a0(photo credit: James Mitcham)<\/em><\/figcaption><\/figure>\n\n\n\n
\"The
The tour\u2019s delay system typically consists of four towers of 12 L-Acoustics K1 over four K2<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Soundvision: \u201cMorning Glory\u201d for a Great Night\u2019s Show<\/strong>
\u201cThe original system design was done by Dan Lewis and Britannia Row head of engineering Josh Lloyd before the tour even went on sale,\u201d says Webb, who estimates that he gets in 35,000-plus steps a day walking each venue as he\u2019s tuning the system, then again for soundcheck, and finally during the actual gig. \u201cI\u2019m tweaking Josh\u2019s original designs to match venue characteristics and any production changes. That being said, I have to say that the new version of Soundvision is better than ever. Show consistency with Autofilter is spot on and it\u2019s a vital tool in my workflow. I strive to get that consistent, even frequency response throughout the entire venue, and Autofilter helps me do just that.\u201d<\/p>\n\n\n\n

\u201cWe are also completely outdoors with this run and touring through different climates, which can change drastically from soundcheck to showtime, so Autoclimate has played an integral part in helping us keep that consistency throughout the full show,\u201d he notes, adding that the \u201coptimal delay tower placement\u201d has also kept the sound uniform across the massive stadiums they play. \u201cBut, of course, Dan and Sam are both doing an incredible job with the mix, too, which certainly helps achieve that sonic consistency each night.\u201d<\/p>\n\n\n\n

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\"Oasis
Oasis live at Wembley Stadium<\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Family, \u201cSome Might Say\u201d: L-Acoustics Partnership on the Road<\/strong>
Webb credits L-Acoustics as being an ideal equipment vendor to partner with for the tour. \u201cWe\u2019ve seen L-Acoustics \u2018family\u2019 at different shows all over the place, and it\u2019s been great to meet some new faces and continue to provide feedback to help improve products and workflow,\u201d he says. \u201cThey\u2019ve been very supportive and we couldn\u2019t have asked to be treated any better. But my favorite thing about L-Acoustics is that you get out of their systems exactly what you put in, and Liam, Noel, and the rest of the band are delivering an amazing show night after night, which comes through loud and clear.\u201d<\/p>\n\n\n\n

\n
\"On
On the ground, four dozen L-Acoustics KS28 subs are deployed in 16 stacks of three, with six K3 serving as front-fills<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
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\"The
The tour\u2019s original L-Acoustics system design was done by Oasis FOH engineer Dan Lewis and Britannia Row\u2019s Josh Lloyd<\/figcaption><\/figure>\n\n\n\n
\"Part
Part of the\u00a0Oasis Live \u201925<\/em>\u00a0tour audio crew, with Brit Row\u2019s L-Acoustics PA flown in the background\u00a0(photo credit: James Mitcham)<\/em><\/figcaption><\/figure>\n<\/figure>\n\n\n\n

Pop the \u201cChampagne Supernova\u201d: Critical and Fan Acclaim<\/strong>
The responses from audiences, both online and in person, have been \u201cincredible,\u201d Webb notes. But it\u2019s not just the fans that have been loving how everything sounds\u2014the press have been equally effusive. Rolling Stone<\/em> praised the band\u2019s sound as \u201cabsolutely biblical,\u201d while Vulture<\/em> noted \u201cthe band sounds locked in\u2026 the songs crisp and sonorous in the cavernous space.\u201d NME<\/em> declared \u201cthey look cool, sound f***ing amazing,\u201d with The Independent<\/em> calling it \u201cthe rock reunion to end them all.\u201d Pitchfork<\/em> highlighted \u201cthe energy is frenzied and the sound is mammoth,\u201d and The Telegraph<\/em> described the shows as \u201cmagically, exhaustingly uplifting.\u201d<\/p>\n\n\n\n

For more details on the Oasis tour, visit Britannia Row Productions at\u00a0www.britanniarow.com<\/a>.<\/p>\n\n\n\n

Press release assets are found by clicking here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Britannia Row carries K1\/K2 arrays on the Gallagher brothers\u2019 highly-anticipated reunion tour MANCHESTER, UK \u2013 November 2025 \u2013 The reunion tour that defined 2025 is here. Oasis’ Live \u201925 tour marks the return of Liam and Noel Gallagher to the stage together for the first time in 16 years, delivering 41 sold-out stadium shows across 17 cities worldwide […]<\/p>\n","protected":false},"author":56,"featured_media":1004865,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"news_tags":"","tags_api":"","footnotes":""},"news-tag":[],"class_list":["post-1004860","press-release","type-press-release","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nK Series Concert Sound System on Oasis Live \u201925- L-Acoustics<\/title>\n<meta name=\"description\" content=\"Britannia Row carries K1\/K2 concert sound system arrays on the Gallagher brothers\u2019 highly-anticipated reunion tour.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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