Constant Curvature WST Line Source
- Optimized for medium throw applications
- Adaptive and predictable directivity to suit many audience geometries
- FOH system, fills and distributed designs for touring or fixed installation
- Clarity, intelligibility, impact and precision for live music
- LA4/LA8 advanced system drive and protection
- Sonic compatibility of preset library with other LA systems
- Plug and play package, quick set-up and easy stacking and flying
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ARCS - Medium Format Line Source The system can be arrayed both horizontally and vertically to fulfill multiple application requirements in terms of audience geometry, type of event and program material. When combined with the SB28 subwoofer, ARCS® delivers an extended LF contour with added impact. Whether permanently installed, on the road as a standalone FOH system or a complement to another WST® line source, ARCS® naturally deploys all the power of WST®, offering a unique near-field listening experience throughout the audience. |
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L-ACOUSTICS® pioneered the field of modern line source array as early as 1993 with the introduction of Wavefront Sculpture Technology on the legendary V-DOSC® system. Based on physical rules developed by Heil and Urban (AES 1992) the WST® theory defines five criteria for design and use of true line source arrays. At the heart of Wavefront Sculpture Technology is the internationally-patented DOSC® waveguide, which morphs the spherical wavefront of the HF driver into a cylindrical, isophasic wave In combination with WST®, coplanar symmetry - the equivalent of coaxial assembly for HF, MF and LF drivers in vertical arrays - provides a coherent wavefront over the entire horizontal coverage at all frequencies. This behaves as if the sound was radiated by a single, continuous and articulated ribbon. |
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Any line source featuring L-ACOUSTICS® elements respects the coplanar symmetry and all WST® criteria on the entire sonic spectrum. This allows an exceptionally coherent sonic signature in very long throw applications, beyond the limits of other systems. L-ACOUSTICS® has been designing reference line array systems for more than 15 years. ARCS® is a WST®-based constant curvature line source and can be incrementally arrayed in the horizontal or vertical planes to match any audience geometry. The system is optimized for medium-throw applications in theatres as a main stereo system or a radial central cluster. Its medium contour allows it to be implemented as a main FOH system in touring applications or as a fill system sonically compatible with large format line sources. |
| Usable bandwidth (-10dB) |
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| Nominal directivity (-6dB) |
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| Maximum SPL |
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| Long term RMS handling capacity |
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| Components |
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| Physical data |
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| Drawings | ![]() |
| ARCS |
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| ARCBUMP |
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| BUMP3 |
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| LA4/LA8 |
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| SOUNDVISION |
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| 6 ARCS FOH SYSTEM Download ARCS Kit List |
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| 8 ARCS FOH SYSTEM + CARDIO SUBS Download ARCS Kit List |
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| DOKKHUSET CONCERT HALL Trondheim - Norway |
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| RAOUL JOBIN HALL OF THE PALAIS MONTCALM THEATRE Quebec - Canada |
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| GRAND THEATRE OF THE SUZHOU SCIENCE AND CULTURAL CENTER China |
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| FUJIAN BROADCASTING & TV CENTER China |
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| SALA SANTA CECILIA Rome - Italy |
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| WEBSTER HALL New York, NY - USA |
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| YONSEI CHURCH Yonsei - Korea |
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| JCCSF's KANBAR HALL San Francisco, CA - USA |
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| BABYLON CLUB Istanbul - Turkey |
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| POPSTAGE W2 CONCERT HALL Almere - The Netherlands |
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| SUMMERFEST FESTIVAL (2008) Milwaukee - USA |
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| WHITE NIGHT CLUB (2009) Eupatoria - Ukraine |
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| MUSICULTURA FESTIVAL (2008) Macerata - Italy |
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| KINDERFEST FESTIVAL |
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| STAGE AT THE CULLY JAZZ FESTIVAL |
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| SIGUR ROS NORTH AMERICAN TOUR (2008) |
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| Kemal Cankaya The Advisor/House Engineer Babylon Club |
"It was our dream to use L-ACOUSTICS sound systems in BABYLON, and when we heard it for the first time, we felt it never sounded so good since the opening of the BABYLON club in 1999". | ![]() |
| Brandon Battaglia JCCSF's Kanbar Hall's Assistant Production Manager |
"I'm still amazed at the near-field effect you get in the theatre environment. At any seat in the house it sounds like the band is performing right in front of you - like a private performance". | ![]() |
| Jake Y. Can Operations & Technical Manager Babylon Club |
"ARCS delivers the sound we’ve been looking for." | ![]() |
| Andrea Taglia Sound Designer |
"I chose L-ACOUSTICS ARCS and 115XT HiQs for their tight and predictable pattern, which really helps to prevent any possible leak onto the hall’s extremely reflective surfaces". | ![]() |
| Danmarks Radio Concert Hall Orestaden - Denmark |
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