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KUDO SUCCESS IN THE BALTIC STATES WITH MEXPRO

December 2008

2008 will have been an exceptional year for MEXPRO. This rental company, based in Lituania, recently acquired an L-ACOUSTICS inventory comprising 32 KUDO, 24 SB28, 12 15XT HiQ, all driven by LA8 amplified controllers .

During 2008, major touring acts such as Linkin Park, Def Leppard, Roger Waters, Björk, Status Quo, have collaborated with MEXPRO on the occation of their tour legs in the Baltic States.

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Vaidotas Motuzas, Sales Director, MEX PRO, comments: " Overally, I have been impressed by the bottom end we achieved with the whole system. Most of the indoor or outdoor arenas were large with an average of 10 000 people. KUDO was able to deliver and give the coverage we needed. Kevin Pruce, the Sound Engineer from Björk, told us how impressed he was with the KUDO - LA8 amps, he told us that it was one of the best shows during this world tour“.


MEX PRO look forward to another successful year in 2009 thanks to many more shows and events to host with the L-ACOUSTICS KUDO system.

More informations on : www.mexpro.lt

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Delta Sound rocks Dubai extravaganza

December 2008

UAE - Atlantis, The Palm - the focal point of the man-made island of Palm Jumeirah, billed as the ultimate fantasy hotel and estimated to have cost around 1.5 billion dollars - launched itself upon Dubai on 20 October with a much publicised event attended by stars from stage, film, music and sport. Audio specialist Delta Sound, which has recently expanded its Dubai office, provided the sound system.

"We were recommended by technical director Simon Ransom, and worked directly for Atlantis's owners, Kerzner International," says Andy Jackson, in charge of Delta Dubai and sound designer and project manager for the Atlantis launch. "Simon asked me to design the sound design and so it made sense for Delta to look at the whole project, including supplying equipment."

With an 11-month planning period and Delta already in a significant growth period, it gave the company both focus and sufficient time to carefully consider its scale of investment for new equipment, a decision that now stands it in good stead for future large-scale events.

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"We started the project pretty much with a clean slate," says Jackson. "We knew there was going to be a large audiovisual content and we knew that there would be some serious pyrotechnics involved. Those were the things that were set in stone as far as the sound design went. Things evolved over the next eight months, but we also knew fairly early on that there was going to be a major artist performing. The sound design had to cover all those aspects and preferably not double up on systems."

That artist was Kylie Minogue and Jackson designed a system that worked for her engineers, who brought in their own DiGiCo SD7 and D5 consoles as local control to dovetail with Delta's system, as well as for the 5.1 system that Delta installed and mastered for the overall production.

The previously mentioned equipment investment includes a substantial L-ACOUSTICS loudspeaker contingent. "We had a total of
28 V-DOSC, 32 dV-DOSC, 24 SB28 subs, 4 ARCS, 12 KIVA, 4 KILO and 4 dV-SUBs. Everything was powered with L-ACOUSTICS amps."

(Excerpt courtesy of Delta Sound)

More informations on : www.deltasound.ae/dubai/

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L-ACOUSTICS dV-DOSC SYSTEM INSTALLED INTO PORTUGUESE CASINO

December 2008

L-ACOUSTICS’ Portuguese distributor Avitel has installed a dV-DOSC system into the main, 1,0000-capacity multipurpose hall at the Casino Figueira in the city of Figueira da Foz. The casino, which has recently been renovated, is more than 100 years old and features some historic frescoes on its domed ceiling.

The main front of house system consists of six L-ACOUSTICS dV-DOSC line source cabinets and two dV-SUB subwoofers per side, each hang being driven by four L-ACOUSTICS LA8 amplifed controller racks. Further sub bass reinforcement is provided by four SB118s driven by one LA8, while four 108P self powered monitors take care of front fill applications.

Additionally, six 112P self powered coaxial speakers and two 108P self powered monitors are being used as floor monitors.

“For a long time the Casino Figueira had been looking for a solution for its main room, the Salão Caffe,” says Casino Figueira’s technical director Carlos Alberto Silva. “This is a semi-circular room with a balcony all the way around, and was a challenge for the many distributors and brands we contacted in terms of coverage, headroom and system design. The project we chose would also have to meet all our criteria in terms of flexibility as the room is used for a wide variety of applications including conferences, TV broadcasts, live concerts, casino shows etc.”



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The casino’s technical staff were invited to an L-ACOUSTICS training seminar and demo by Avitel to experience dV-DOSC for themselves. “This was the first time we’d seen the system, and we knew right away that it would meet our demands in terms of sound pressure, sound quality and intelligibility,” continues Carlos Silva.

“The whole concept developed by Avitel, including the room simulation created by
L-ACOUSTICS’ Soundvision and remote Wi-Fi control of amplifiers, mixing console and DSP, met all our objectives. Full training for all the equipment was mandatory, and all our casino technical staff have been trained to operate all components of the system. The opinion of our engineers, as well as the FOH engineers of visiting bands, is that the dV-DOSC system has met all our demands in terms of coverage, coherence, SPL, headroom, quality, etc. In addition to this, the installation was carried out with the highest professional competence. The trust we placed in our long-term equipment supplier Avitel was well deserved.”

More informations on : www.avitel.pt

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Gearhouse South Africa Tours Lionel Richie

December 2008

Gearhouse South Africa supplied all technical production – staging, rigging, lighting, video and audio - for Lionel Richie’s hugely successful South African tour, with resources pooled from their Johannesburg, Cape Town and Durban bases.

Gearhouse Audio’s team was led by Revil Baselga. The L-ACOUSTICS V-DOSC rig varied in size, with Newlands in Cape Town being the largest venue for which they used 48 V-DOSC elements, 15 a side for the main hangs with two outer hangs of 10 a side plus 3 delays, 2 of dV-DOSC and one of KUDO. For the Dome, it was configured as 12 V-DOSC a side with KUDO outer hangs, and dV-DOSC downfills, infills and outfills – all driven by a networked LA8 amplifier system. Gearhouse is one of the first companies to tour this, which is proving very stable and reliable.

The only wedges onstage were a downstage line of L-ACOUSTICS 115XT HiQ to provide some air movement and sonospherics, Gearhouse also supplied a full package of mics – primarily Shures - and stands.

The tour was a huge success, and once again proved that Gearhouse’s ability to supply all aspects of technical infrastructure maximised operational efficiency and offered a really competitive deal to the client.

(Excerpt courtesy of Gearhouse South Africa)

More information on : www.gearhouse.co.za

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L-ACOUSTICS V-DOSC SYSTEM USED FOR MTV EUROPE MUSIC AWARDS

December 2008

An L-ACOUSTICS V-DOSC line source array system was used by Britannia Row for the MTV Europe Music Awards featuring Beyonce, Duffy, Kid Rock, Pink, The Killers, Take That, Kanye West and The Wombats, held at the Liverpool Echo Arena.

As the show was being broadcast on MTV, the system needed to be concealed as far as possible, so it couldn’t be too large or obtrusive. Despite these constraints, it also needed to be powerful, provide good dispersion and be able to work with different types of rock and pop music.

Ten V-DOSC line source and three dV-DOSC compact line source cabinets were used per side for the main hangs, with eight SB218 subwoofers per side, 12 dV-DOSCs per side as side hangs, three dV-SUB compact subwoofer hangs per side, four SB218s per side as side sub hangs, six V-DOSC per side for rear hangs, a rear sub stack of four SB218s and 12 MTD108s around the stage for front fill. The complete system was driven by LA amplifier racks.

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Systems engineer Sergiy Zhytnikov encountered a challenge when it came to the subs. Apart from the small rear ground stack, it wasn’t possible to put any more subs on the floor around the stage, so the majority had to be flown. This meant that all the subs were concentrated on the balcony, making it difficult to recreate good sub levels around the stage.

“Using L-ACOUSTICS’ presets, I was able to create a smooth low frequency sound throughout the audience, using different combinations of presets and time alignment between the low and sub sections,” he explains. “As a result, we ended up with a system with good coverage, and smooth, clear sound from the top to the bottom, which was hidden enough for the demands of the TV show while also being powerful.”

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JCCSF’s Kanbar Hall Installs ARCS/dV-SUB Loudspeaker System

December 2008

SAN FRANCISCO -- Kanbar Hall at the Jewish Community Center of San Francisco (JCCSF), one of the city’s newer performing arts venues, recently upgraded its sound system with the installation of an L-ACOUSTICS ARCS® and dV-SUB loudspeaker setup.

The 468-seat theater now benefits from twin horizontal arrays each comprised of two ARCS enclosures flown above the left and right sides of the stage accompanied by a single dV-SUB enclosure per side down on the deck. L-ACOUSTICS LA Series amplifiers power each of the loudspeakers.

According to Michael J. “Geese” Graphix, production manager and technical director for Kanbar Hall, “We’ve wanted to upgrade our system since we opened in 2004. We present many European and Israeli performing artists, and L-ACOUSTICS equipment is usually their first request on the tech riders.”

Graphix was one of the touring development engineers in the mid-’90s using L-ACOUSTICS V-DOSC® systems with Bob Dylan, Metallica and Barry Manilow, among other artists. “Out of all the manufacturers who now feature line-array and related technologies in their product line, L-ACOUSTICS enclosures still sound the most musical, which is ultimately why we’re here,” he says. “Cohesive point-source control results in smooth, even coverage for the entire audience. And they sound fantastic at extremely low volumes, which is often the case with many of our artists, but can still ‘rock the house’ when needed.”

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Brandon Battaglia, Kanbar Hall’s assistant production manager, relates, “I’m still amazed at the near-field effect you get in the theatre environment. At any seat in the house it sounds like the band is performing right in front of you – like a private performance.”

In addition to the new
ARCS/dV-SUB system, Kanbar Hall has also utilized L-ACOUSTICS’ 112XT monitors and LA Series amplification with great success – and compliments from performing artists – since the venue’s second year of operation.

Recent guests to use the room’s new system have included Phoebe Snow, Michael Feinstein, Bebe Neuwirth, John Sebastian and David Grisman, Alberto Mizrahi, Ricky Jay, Keyboard Conversations with Jeffrey Siegel, Knesiat Hasechel (Israel’s Church of Reason), and the Klezmer Conservatory Band.

JCCSF’s Kanbar Hall now joins The Great American Music Hall and Herbst Theatre as prominent Bay Area venues incorporating L-ACOUSTICS sound reinforcement systems. Contractors and vendors on this project included DECK Productions, Edcon Electric, and Sound On Stage.

More information on : www.jccsf.org

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Firehouse Productions Fires Up LA-RAK and KUDO for Iceland’s Sigur Rós

November 2008

KUDO/LA-RAK combo also accompanies L-ACOUSTICS’ new K1 and K1-SUB on North American tours for Radiohead and Nine Inch Nails

RED HOOK, New York -- Concert sound provider Firehouse Productions, known for its tours with Radiohead, Nine Inch Nails, Peter Gabriel and other innovative artists, chose to deploy L-ACOUSTICS LA8-powered KUDO™ arrays for FOH on Sigur Rós’ recent North American tour leg.

In addition to typically flying nine boxes of KUDO per side for the four-piece ethereal Icelandic post-rock band, Firehouse positioned six dV-DOSC across the lip of the stage for front-fill and set up four SB28 subs per side in a cardioid configuration for LF reinforcement. Two ARCS® cabinets per side were also flown or ground stacked for out-fill in venues where the seating configuration wrapped around the stage. Furthermore, the tour utilized four of L-ACOUSTICS’ new LA-RAK touring racks, each featuring three LA8 amplified controllers.

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According to Firehouse systems engineer Jamie Pollock, who did a system prediction using
SOUNDVISION at each stop, “The flexibility of KUDO was what impressed me for this type of tour. Some of the venues we played were quite small while others, like The Greek Theatre in Berkeley, were larger with 8,000 seats and 180 degrees of seating. With all of these different environments and configurations, I was constantly changing the enclosures’ K-Louver settings between 110 and 80 degrees. But aside from the 9,500-capacity Red Rocks Amphitheatre where we brought in V-DOSC®, KUDO was able to deliver and give us the coverage we needed. Jelle Kuiper, the front-of-house engineer, and I enjoyed using the new LA8 presets and always received consistent results.”

Pollock was also enthusiastic in his praise of
L-ACOUSTICS’ LA-RAK. “We used a double-stacked LA-RAK per side, which was the other beauty of this tour. There were so many backline techs, and some of the theaters were so small that having the LA-RAK on each side of the stage do four subs a side, the KUDO, and everything else was extremely convenient. Everything stores in the rack, and the compact footprint was absolutely crucial in some of these venues.”

Prior to the 17-date Sigur Rós trek,
Firehouse’s KUDO arrays had most recently been on the road with Radiohead serving as out-fill systems for the group’s domestic tour leg, which was the first North American trial run for L-ACOUSTICS’ new flagship K1 and K1-SUB loudspeakers.

Now, Firehouse Productions is using the very same
KUDO and LA-RAK systems on Nine Inch Nails’ current U.S. and Canadian sweep. Deployed again for far left/right audience coverage, the nine KUDO complement a system that features 16 K1, eight K1-SUB and three dV-DOSC flown per side for main PA, 16 SB28 subs set up in a cardioid configuration, and ten dV-DOSC for front-fill – all powered by LA8 amplified controllers housed in six LA-RAK per side.



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L-ACOUSTICS APPOINTS NEW UK TECHNICAL MANAGER

November 2008
L-Acoustics has appointed Jamie Gosney as Technical Manager for the UK, joining the company’s UK Sales Manager Stuart Down, and Sales Coordinator Nathalie Prade.

Gosney has three decades’ experience of working in the pro audio industry in a career that spans systems operation and design, sales, installation and even set-building.

Previous companies which Gosney has worked for include Autograph Sales, Imagination, Amber Sound, ATM Flyware and the SFL Group. He’s also worked extensively as a freelance sound engineer as well as running training seminars for aspiring sound engineers.

“I am really thrilled to be part of the L-Acoustics team in the UK,” says Gosney. “I love the products and really believe in them; they just sound lovely! I believe our customers will benefit from Stuart’s sales experience and my background in system design and installation.”

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Adds Stuart Down, “Myself and the team in France all welcome Jamie to the family. Having him on board is a great step forward in the development of the UK operation. He has a great technical understanding of our products along with fantastic communications skills. We’re looking forward to working together to continue building the L-Acoustics brand in the UK and Ireland."
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L-ACOUSTICS V-DOSC USED FOR 35th ANNIVERSARY OF GERMAN BAND

November 2008
An L-Acoustics V-DOSC system has been used for the 35th anniversary show of Höhner, a German folk music band, at the 14,000-capacity Lanxess Arena, Cologne.

The concert - Wenn Nicht Jetzt Wann Dann (If Not Now Then When) - which featured special guests Guildo Horn, DJ Ötzi and the Kölner Symphonie, was televised by German broadcaster WDR and recorded for a live CD. While popular across Germany, the band are enormous in their hometown of Cologne and sing in the local dialect of that region.

Cologne-based PA rental company Event-Solution put together a large and complex L-Acoustics system to cover the stalls and lower balcony of the arena.
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Event-Solution’s Jochen Gotzen used 12 V-DOSC line source cabinets per side as the main PA system, with a total of 20 dV-DOSC compact line source speakers: three per side as downfills and seven per side as outfills.

This was supplemented with 12 Kiva ultra compact line source array cabinets: four per side as nearfills and four as nearfills along the front of the stage; two Kilo low frequency extension cabinets per side as nearfills; and two configurations of eight SB218 subwoofers in sub arc mode along the front of the stage.

The system was powered by two LA4 amplified controller racks, 12 RK 12/2 and four RK 12/4.

“We always use a setup like this in the Lanxess Arena, “Sometimes we use a large amount of dV-DOSC cabinets, but in this case we chose to use V-DOSC because of its powerful low-mid range combined with the fine high frequency characteristics, as it was important to have very good intelligibility of speech and lyrics.

“One of the main reasons for using L-Acoustics in this arena – apart from the great sound of course - is to save us from the hard reflections which come from the glass balconies. The straight vertical coverage of DOSC prevents the sound from hitting the glass-fronted VIP boxes surrounding the whole arena, with both VDOSC and dVDOSC overcoming this problem of hard reflections perfectly.”

More information on : www.event-solution.de
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L-ACOUSTICS APPOINTS JOCHEN FROHN A
INTERNATIONAL BUSINESS DEVELOPMENT DIRECTOR

November 2008
L-ACOUSTICS has appointed Jochen Frohn as international business development director, effective 3 November 2008.

Frohn has extensive managerial experience in the pro audio Industry, notably 14 years at US manufacturer Crest, where he served in a variety of roles including director of sales and marketing, Crest Europe, Middle East, Africa, and managing director of the company’s German subsidiary.

“It is great for me to finally work for a European company – and for one of the top leaders in the live sound industry,” says Frohn. “I am amazed by the fantastic team of talented, professional people at L-ACOUSTICS, and with the brand new K1 system on the verge of release, there are lots of opportunities for an ongoing success story. I am looking forward to being part of that!”

Frohn’s initial remit will be to take responsibility for the sales, development and coordination of L-ACOUSTICS’ business worldwide, focussing on actively building foundations for L-ACOUSTICS Germany and coordinating sales across Europe by building and piloting teams for these territories. Internally, he will work closely with other members of the executive committee led by founder and CEO Christian Heil; with marketing director Stéphane Ecalle on communication; and with international business supervisor Laure Guymont for business planning and policies.

“Things just clicked from our first meeting with Jochen,” says Heil. “Not only is he a man of charisma, he possesses an understanding of the future challenges L-ACOUSTICS faces as a company and is supportive of our group strategy. His appointment will reinforce our exisiting team and we’re very much looking forward to having him onboard.”
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UK RENTAL COMPANIES PURCHASE NEW L-ACOUSTICS SB28 SUBS AND LA8 RACKS

November 2008
UK rental companies Skan PA Hire and Wigwam Hire have both added to their L-ACOUSTICS inventory, with Wigwam purchasing 32 x SB28 subwoofers and 24 x LA8 Amplified Controllers, and Skan acquiring 32 x SB28s and 60 x LA8s.

“I heard the new subs, thought they were great and bought some to replace some of our older stock, and at the same time thought we’d also dip our toes in the water with the new amps,” says Wigwam’s Chris Hill.

The company has been using the new SB28s and LA8s on tours with Radiohead, Human League and Shane Ward.

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Skan’s Abby Llewellyn says, “We decided to buy the SB28s because of their cardioid capability and the fact they complimented and enhanced our existing L-ACOUSTICS stock holding.” Skan, which joined the L-ACOUSTICS network in 2003 with their purchase of V-DOSC, has been using the new subs and racks on the current REM European arena tour.

The new SB28 subwoofers feature L-ACOUSTICS’ Laminar Airflow Vents, a new bass reflex vent design, combined with high excursion components, yields an overall increase of 5 dB in dynamic range compared to industry standards. The LA8 Amplified Controller offers cutting edge loudspeaker amplification, DSP, network control and comprehensive system protection in a single ergonomic package.

More information on : www.skan-uk.com and www.wigwamacoustics.co.uk

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L-ACOUSTICS RISES TO CHALLENGES OF SALA SANTA CECILIA, ROME

November 2008
Italian sound designer Andrea Taglia has specified and designed an L-ACOUSTICS ARCS constant curvature line source system which has been installed at the Parco della Musica in Rome, in the venue’s 2,800-capacity Sala Santa Cecilia.

Acoustically, this project posed some major challenges. Designed by Italian architect Renzo Piano, the building took 20 years to construct, and by completion the function of the different rooms had changed. Originally intended to provide stunning acoustics for large orchestras, the Sala Santa Cecilia has been drafted into service as a multifunction concert/convention venue due to Rome’s lack of suitably-sized halls. However its acoustic design, with orchestral use in mind, leaves Sala Santa Cecilia with a 2.5/2.8 reverb - perfect for symphonic music but impossible in a multipurpose room.

It was this dilemma that Taglia undertook when contacted by Sonus Audio Services of Rome, a specialist in audio rental and installation for classical music and theatre, who commissioned him to design a no compromise sound system to solve the problems.
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“We tested several solutions and agreed that the best was an approach based on several small loudspeakers, all under individual control so they could be switched on or off depending on audience presence,” he says.

Taglia’s design features a left/right system of two L-ACOUSTICS ARCS cabinets and a dual 18-in SB subwoofer per side. A front fill system of 8-in L-ACOUSTICS coaxial cabinets helps confine the sound image to musicians on stage, while single sections of the side balconies are covered by six 115XT HiQ coaxial enclosures. The balcony has a left/right system of two ARCS per side. The system is rigged in a sophisticated array with 32 motors controlled via wireless remote.

“I chose L-ACOUSTICS ARCS and 115XT HiQs for their tight and predictable pattern, which really helps to prevent any possible leak onto the hall’s extremely reflective surfaces,” says Taglia. “As the entire room is constructed from American red cherry wood, which sounds great and is very expensive, the use of L-ACOUSTICS’ Soundvision prediction software prevented us from drilling holes in the wrong places! Soundvision was also very useful in presenting the project to the client, the Accademia Nazionale di Santa Cecilia, one of Italy’s oldest and renowned classical music institutions. They weren’t used to reinforced music, and tended to associate sound reinforcement with feedback because of the many problems faced by rental companies who’d tried to work in this space.”

Since installation the system has worked to seamlessly cover events from seminars - where providing intelligible speech in a hall with 2.5/2.8 reverberation time is a real challenge - through to jazz, pop concerts and the new Rome Film Festival.

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Alice Cooper Drives A New Wedge Into “Psycho-Drama”

October 2008

Precise Corporate Staging takes L-ACOUSTICS stage monitors out on North American tour with original shock rock star

TEMPE, Arizona -- After 18 albums and more than four decades of touring, Alice Cooper certainly isn’t showing any signs of slowing. Currently out on his aptly named “Psycho-Drama” tour, the original shock rocker has among his collection of essential stage items a guillotine, electric chair, boa constrictor, plenty of fake blood and, now, ten coaxial L-ACOUSTICS 115XT HiQ stage monitors.

Along with a pair of L-ACOUSTICS ARCS and SB118 enclosures for side-fill, not to mention LA Series amplification, the 115XT HiQ wedges round out the loudspeaker complement of a monitor system package furnished by Tempe, Arizona-based Precise Corporate Staging (PCS) LLC.
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“Night after the night, the HiQs are performing very well for Alice and his band,” says PCS President David Stern, who has worked with Cooper on and off for the past four years and is additionally providing the tour’s FOH console and processing racks. “In my opinion, there’s not a better monitor built. Just like the 30-box V-DOSC® rig we also own, the HiQ wedges are extremely clean and rarely need much EQ, if any.”

Stern points out that the monitors are beneficial in that they help minimize the tour’s overall stage volume. “We’re running the stage system in zones and I know that Paul Bostic, Alice’s monitor engineer, appreciates the exceptional clarity and articulation of the HiQ’s design. This enables the musicians to better hear themselves while performing and spares them from the vicious circle of having to crank up their amplifiers to compete with the wedges.”

“As a rule, we never take the ‘cheap’ way out,” he adds. “So even though L-ACOUSTICS’ products may be a little more expensive than some others out there, there’s a real reason why they’re on everyone’s riders. I’ve found that I can A/B them against anything and they’ll win hands down.”

More information on : www.alicecooper.com

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Paramore And L-ACOUSTICS Take To The Streets For “The Final Riot!”

October 2008

Hot pop-punk band tours North America with Rat Sound’s V-DOSC/KUDO rig

OXNARD, California -- Although Nashville has long been best known as a country music Mecca, fast-rising pop-punk bands like Paramore are certainly diversifying the image of Music City USA. Recently coming off the road with its final tour in support of the band’s second album, Riot!, the group’s engineers were unanimous in their praise of Rat Sound’s L-ACOUSTICS loudspeaker rig, which the band had been carrying for the first time.

Greg Mahler served as the FOH/system tech for the six-week North American tour, which utilized a PA comprised of a dozen V-DOSC® plus three dV-DOSC down-fills hung per side. Three additional dV-DOSC were flown on the downstage lighting truss for center-fill.
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“Mahler describes V-DOSC as being particularly well-suited for Paramore’s sound. “Unlike a metal or true punk rock band, their guitar sounds are clean and big, and their drums are the same. The singer is very talented and this is all obvious when you have an excellent rig like V-DOSC to back the band. With other systems, the sound can become harsh and ‘offensive’, especially in the guitar tones.

“But L-ACOUSTICS has an amazing product line, both large- and small-scale. I’m very impressed with their time spent to perfect a product that is unmatched in many ways. Very few engineers have ever refused to use a V-DOSC system, and that’s a pretty big statement in itself!”

Formed four years ago in Franklin, Tennessee, Paramore is fronted by the fiery Hayley Williams and backed up by the talented Farro brothers and Jeremy Davis. More information about the band can be found online.

More information on : www.paramore.net

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L-ACOUSTICS KUDO FOR ANDREAS BOCELLI TOUR OF AUSTRALIA AND NEW ZEALAND

October 2008

Italian tenor Andreas Bocelli has completed an arena tour of New Zealand and Australia with an L-ACOUSTICS KUDO line source array system provided by Norwest Productions. The tour included a show at the Sydney Acer Arena, the largest in the southern hemisphere, where Bocelli broke his previous world box office arena record, putting $AU3.273 million through the registers.

The concerts featured a 76-piece orchestra and a 60-piece choir together with baritone Gianfranco Montresor, soprano Paola Sanguinetti and guest star Tina Arena accompanying Bocelli.

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“As each orchestra member is playing towards the conductor, the orchestra itself can be considered a point source,” says sound designer Andrea Taglia, whose priority for the main system was to preserve the orchestra’s sound image, retaining a sharp correlation between the visual of the musicians playing live and the sound system reinforcing it."

“I designed a full mono system with a centre cluster of between 12 and 15 KUDO cabinets, depending on the venue, to cover the floor. There was a left and right hang, again of between 12 and 15 KUDOs per side, to cover side balconies; left and right side hangs of eight KUDOs per side to cover audience seated at the sides of the stage; delays of one or two clusters of six to eight KUDOs for covering the front of the balcony and an arc delay subwoofer system of 12 SB218 subs on the ground in front of stage.”

KUDO was chosen because its variable horizontal directivity kept the focus on the audience, avoiding reflections. On the side balconies, an asymmetrical configuration of 55°/25° gave smooth dispersion of SPL and frequency for those close to the 55° angled loudspeakers, while those further away enjoyed good high frequency penetration and SPL thanks to the 25° angles. Fully open KUDO cabinets with 110° angles, often rigged at around 15m from the floor, helped cover the front rows without much image shift, while those closed to 50° gave a good focus for the audience further back. “In Melbourne we didn’t use delays as the rigging points didn’t allow this, and with a centre cluster of 15 KUDOs we could easily cover the floor and centre balcony up to an amazing distance of 76m from front of the stage!” says Taglia.

Another benefit of KUDO was that its small footprint preserved sightlines, while its easy captive rigging system allowed the full system to be rigged in a few hours, leaving plenty of time to focus, trim, align and EQ the day before the show. This meant that show days were relaxed and focused on mixing.

Taglia used L-ACOUSTICS’ Soundvision prediction software in conjunction with seating plans and rigging points for the different venues. “As both the Soundvision predictions and venue databases were very exact, we only needed to trim the system using an inclinometer and laser pointers mounted on top of KUDO bumpers,” he says. “KUDO is a true line source array so a cluster of even 15 cabinets will be heard as a single huge loudspeaker with perfect fusion of all components. With a little tuning the sound image and frequency response will be enjoyable for any audience member.

Soundvision helped define what was needed months in advance, allowing us to plan the tour budget accurately and give the crew a printout of the system report. This software is highly reliable, with amazing precision that can solve any problems and glitches.” It wasn’t just the sound crew who appreciated the KUDO system. “The promoter, local venues and audiences were amazed that the sound system was virtually invisible, giving the illusion that the sound was coming directly from the orchestra on stage,” concludes Taglia. “This was noted in the press by several journalists who appreciated the natural and clear sound reinforcement, regardless of the venue or the seat.”

More information on : www.norwestproductions.com
More information on : www.randomaudio.com.au (L-ACOUSTICS Distributor in Australia & New-Zealand)

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CON-SOL DEBUT L-ACOUSTICS KIVA SYSTEM ON THE GOLD COAST

October 2008

Gold Coast AustraliaCON-SOL have recently boosted their audio rental inventory with the purchase of a L-ACOUSTICS KIVA ultra-compact Line Source Array system. Managing Director, Bill Karaitiana said CON-SOL had been seeking a system with flexibility and versatility to suit the corporate market.

"With the ongoing success of our existing L-ACOUSTICS range, we wanted to invest in a system that built on this reputation and guaranteed the same high level of sound quality already experienced by CON-SOL clients.

"We chose to go with the KIVA + KILO LF extension system because of its incredibly high 'power to weight ratio' without compromising audio quality. We were also sold on the new LA4 amplifier with inbuilt amp and processing power - which takes away the opportunity for curious 'little fingers'.

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“Our new KIVA system debuted at the Cairns Convention Centre in July this year with an event for one of our national clients. It was a great success and our client was over the moon with the clarity and quality of sound.

We continue to be impressed with the capabilities of our new KIVA system - but perhaps even more importantly, we are constantly reassured by the L-ACOUSTICS consistent high level of performance and reliability.”

CON-SOL are based in Ashmore QLD and provide audio/lighting//staging/AV equipment for both local and interstate conventions/corporate events