Adlib dreams big with la la land tour
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Adlib dreams big with la la land tour
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Adlib dreams big with la la land tour
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News | Adlib Dreams Big With La La Land Tour
A daytime rehearsal
The orchestra rehearse before the show.
Adlibís touring Crew.

Liverpool UK based rental and production company Adlib’s audio department specified and supplied an L-Acoustics Kara sound system for the recent tour of Damien Chazelle’s multiple Academy Award winning box office blockbusting movie La La Land … accompanied by a 51 piece orchestra who played the foot-tapping musical score live.

Adlib was working for Senbla’s Harvey Leslie as production manager & Kitty Stafford-Clark as producer, with a crew of four chiefed by Alan Harrison who was also the system tech, joined by Laurie Binns and Steph Fleming looking after the patch and monitor engineer Max Taylor. Also on the audio team was FOH engineer Arne Bock (working directly for the production.)

The tour played a selection of high profile concert halls all around the UK over a period of 10 days … and was a massive success.

As with any orchestral scenario, precision and detail were key to getting both the acoustic & aesthetics spot-on, and this is the reason why Kara was selected. Other factors included the compact size and low weight of the speakers, which allowed all eyes to be focused on the massive cinema screen upstage.

In addition to that, the exceptionally predictable frequency response of the Kara meant the system design for each room could optimise the audience experience and deliver maximum clarity and even tonality for both orchestra and the spoken dialogue from the movie soundtrack, despite some compromises that were necessary due to the screen position.

The two main PA hangs were 12 x Kara, with four ARCS II a-side for in/out fills, four Kara for stage lip fills and two KS28 subs per side.

Having a central focus for the dialogue was vital and the front fills were fed by a separate mix from the DiGiCo SD10 FOH console to allow extra dialogue to the front half of the audience to counter the acoustic sound of the orchestra as well as to boost their ability to focus sound in relation to the screen.

The system was powered by L-Acoustics LA12X amplifiers.

Adlib really enjoyed working in this different environment and watching the orchestra and soloists harmonise with the film during the show, bringing it to life with a new richness, vibrancy and multi-dimensionality that is so much more immersive than watching in a standard movie theatre.

Adlib had worked on its first orchestral project for Senbla’s Harvey Leslie and Kitty Stafford-Clark earlier in the year, with an arena tour of “Harry Potter & the Philosopher’s Stone TM” which was also extremely popular.

Adlib Account Manager Phil Kielty comments, “As a lot of us are movie geeks, it was a real thrill for us to work with Harvey, Kitty and all at Senbla again, who are as passionate about their productions as we are! Presenting this type of entertainment is now becoming a well-oiled process for us and we are extremely excited to be involved at the heart of a new & ground-breaking live entertainment concept”.